The Mirror of Literature, Amusement, and Instruction. Volume 12, No. 322, July 12, 1828 — John Shaqi
The Mirror of Literature, Amusement, and Instruction. Volume 12, No. 322, July 12, 1828Various
History
The Mirror of Literature, Amusement, and Instruction. Volume 12, No. 322, July 12, 1828
Various
Popular literature -- Great Britain -- Periodicals
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THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.
VOL. 12, No. 322.] SATURDAY, JULY 12, 1828. [PRICE 2d.
* * * * *
CLARENCE TERRACE, REGENT'S PARK.
[Illustration: CLARENCE TERRACE, REGENT'S PARK.]
CLARENCE TERRACE,
REGENT'S PARK.
O mortal man, who livest here,
Do not complain of this thy hard estate.
_Thomson's Castle of Indolence._
The annexed continuation of our illustrated ramble in the Regent's Park
is named _Clarence Terrace_, in compliment to the illustrious Lord High
Admiral of England. It consists of a centre and two wings, of the
Corinthian order, connected by colonnades of the Ilyssus Ionic order,
and altogether presents a picturesque display of Grecian architecture.
The three stories are a rusticated entrance, or basement; and a
Corinthian drawing-room and chamber story; surmounted with an elegant
entablature and balustrade. In the details, the spectator cannot fail to
admire the boldness and richness of the columns supporting the pediment
in the centre, and the classic beauty of the pilasters which decorate
the wings.
_Clarence Terrace_ is from the designs of Mr. Decimus Burton, to whose
ingenious pencil we are indebted for some of the splendid architectural
combinations in this district. The present terrace is, we believe, the
smallest in the park, but yields to none in picturesque effect and
harmonious design; and the variety of its composition renders it one of
the most attractive illustrations of our series. It is likewise worthy
of remark, that this portion of the Regent's Park, from its natural
beauties, is entitled to the first-rate embellishment of art, inasmuch
as the basement of Clarence Terrace commands a "living picture" of
extraordinary luxuriance; and from the drawing-room windows the lake may
be seen studded with little islands, and environed with lawny slopes and
unusual park-like vegetation:
With Nature the creating pencil vies
With Nature joyous at the mimic strife.
We have already indulged our fancy in anticipations of the future
splendour of the Regent's Park. As yet, art triumphs, and here the
lordlings of wealth may enjoy _otium cum dignitate_: but in a few years
Nature may enable this domain to vie with Daphne of old, and become to
London what Daphne was to Antioch, whose voluptuousness and luxury are
perpetuated in history. But the beginnings of such triumphs furnish more
pleasing reflections than their decline.
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