In the sitting-room, adjoining the bedroom, which he was accustomed to occupy, besides some good ancient paintings, is a very singular picture, which was painted according to Voltaire's direction. The principal personages are Voltaire, holding in his hand a roll of paper inscribed La Henriade; next him is a female personification of this favourite poem, whom he is presenting to Apollo crowned with rays of glory; Louis XIV. with his queen and court, are observing these chief figures. In another part, the Muses are crowning the burst of Voltaire with wreaths of flowers, and proposing to place it with those of other immortal authors in the Temple of Fame. The bottom of the picture is occupied by his enemies, who are being torn to pieces by wild beasts, or burning in flames of fire. In the bed-room is a marble cenotaph, on which is an urn that formerly contained the heart of Voltaire, which was removed several years ago, and placed in the church of Les Invalides at Paris. In this room also is an engraving of Voltaire's monument in the church-yard of Ferney. In this, four figures, representing the four quarters of the world, are preparing to honour his bust with wreaths of laurel and palms. Ignorance, meanwhile, with the wings of a fiend, armed with rods, is driving them away in the midst of their pacific employment, and extinguishing a lamp which burns above the tomb. It is a singular circumstance that Voltaire caused the church of Ferney to be built, as well as several houses in the village, and on an iron vane on the top of the former is inscribed, "_Deo erexit Voltaire_." After his escape from the court of Frederic, Voltaire went first to Lausanne, were he resided some years, and where he fitted up a private theatre; his acquaintances there supplied him with performers, of whom it seems he was proud, and who acted for him Zaire, Alzira, and several other plays. Some spirited drawings of Huber represent him behind the scene teaching, scolding, encouraging the actors; you might have thought you heard his loud _bravo_! The part of Lusignan was frequently filled by the poet himself, who was so much taken with it as to be seen in the morning at the door of his house already dressed for the stage. Voltaire had a hollow wooden voice, and his declamation had more pomp in it than nature; yet in the part of Trissotin, in the Femmes Savantes, he performed very well. From Lausanne, where he quarrelled with several persons, he went, in 1755, to St. Jean, close to Geneva, and gave to the house he occupied the name of _Les Dèlices_, which it retains to this day. Ferney, which he bought soon after, became his permanent residence for twenty years.