The Mirror of Literature, Amusement, and Instruction. Volume 12, No. 333, September 27, 1828Various
General
The Mirror of Literature, Amusement, and Instruction. Volume 12, No. 333, September 27, 1828
Various
Popular literature -- Great Britain -- Periodicals
Gottfried Mind was born at Bern, in the year 1768. His father, but a
short time before, had come in the capacity of joiner and form-cutter
into Switzerland from Lipsich, in Upper Hungary, and had fixed his abode
at Warblaufen, a village near Bern, where he was chiefly employed for
the paper-manufactory of one Herr Gruner, and soon after his arrival
purchased the freedom of Pizif, in the Waadtland. Young Mind, on account
of his weak constitution of body, was in great measure left to himself,
perhaps in the hope of making him healthier and stronger by the cheap
and easy means of idle running about. Herr Gruner was a lover of art;
during summer he had a German artist, named Legel, in his house, a
talented and active man, who often, in country excursions, drew
buildings and cattle from nature. This excited the attention of young
Mind in some of his idle rambles: he followed Legel every where, and
watched him while he worked. Legel, touched with compassion for the poor
boy, showed him what he was engaged with, or what he had already
finished; and, in the end, would take him along with him in his walks,
or amuse him in his own apartment with exhibitions of prints. In
particular, he allowed the boy, as often as he liked, to turn over
Ridinger's Animals, of which Herr Gruner had a collection; and some of
these Mind was not long in trying to imitate with the lead pencil,
preferring above all lions, which continued long his favourite animals.
These attempts Legel from time to time corrected, and, from less to
more, the youngster at length ventured to copy from nature, like his
master, and to draw some sheep, goats, and _cats_.
His father, the joiner, however, thought that to draw on paper was
nothing, and wood was the only material on which it was worth one's
pains to work. Accordingly, whenever the boy asked paper for drawing, he
threw him a bit of wood; so that Gottfried was fain to try also cutting
animals in wood, an art in which he speedily attained such dexterity,
that, by degrees, his wooden sheep and goats came to ornament all the
presses and mantel-pieces in the village. Occasionally, too, he tried
drawing likenesses of some peasant boys of Worblaufen, or carving them
in wood; and these attempts were not unsuccessful.
Public-domain text, read in full here on John Shaqi.
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