The Mirror of Literature, Amusement, and Instruction. Volume 12, No. 340, Supplementary Number (1828)Various
General
The Mirror of Literature, Amusement, and Instruction. Volume 12, No. 340, Supplementary Number (1828)
Various
Popular literature -- Great Britain -- Periodicals
As we have already drawn somewhat freely on the present volume, we may
adduce that as the best proof of the high opinion we entertain of its
merits. The editor has only two or three pieces; but the excellent taste
and judgment displayed in the editorship of the "Forget-me-not" entitle
it to a foremost place among the "Annuals for 1829."
* * * * *
The Literary Souvenir,
_Edited by Alaric A. Watts, Esq_.
If the present were the first volume of the Literary Souvenir, the name
of the editor would be a passport to popularity; but as this is the
fifth year of its publication, any recommendation of ours would be
supererogatory.
But the Souvenir for 1829, realizes that delightful union of painting,
engraving, and literature, (at whose beneficial influence we have
glanced in our accompanying number) even more fully than its
predecessors. Ten out of the twelve embellishments are from celebrated
pictures, and the whole are by first-rate engravers. Of their cost we
spoke cursorily in a recent number; so that we shall only particularize
a few of the most striking.
The engravings are of larger size than heretofore, and, for the most
part, more brilliant in design and execution than any previous year.
We can only notice _the Sisters_, (frontispiece) full of graceful and
pleasing effect, by J.H. Robinson, after Stephanoff; _Cleopatra, on the
Cydnus_, a splendid aquatic pageant, by E. Goodall, after Danby; the
_Proposal_, consisting of two of the most striking figures in Leslie's
exquisite painting of May Day in Queen Elizabeth's time; a _Portrait of
Sir Walter Scott_, from Leslie's painting, and considered the best
likeness; this is from the burin of an American artist of high promise.
We must not, however, forget _Ehrenbreitstein, on the Rhine_, by John
Pye, from a drawing by J.M.W. Turner, which is one of the most
delightful prints in the whole series.
Public-domain text, read in full here on John Shaqi.
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