The Mirror of Literature, Amusement, and Instruction. Volume 12, No. 341, November 15, 1828Various
History
The Mirror of Literature, Amusement, and Instruction. Volume 12, No. 341, November 15, 1828
Various
Popular literature -- Great Britain -- Periodicals
Come thou, too, black-eyed lass, and try
That potent skill in palmistry.
Which sixpences can wheedle;
Mine is a friendly cottage--here
No snarling mastiff need you fear,
No Constable or Beadle.
'Tis yours, I know, to draw at will
Upon Futurity a bill,
And Plutus to importune:--
Discount the bill--take half yourself
Give me the balance of the pelf.
And both may laugh at fortune.
_Ibid_.
* * * * *
GEORGE HARVEST.
The Rev. George Harvest, of Trinity College, Cambridge, having been
private tutor to the Duke of Richmond, was invited to dine with the
old duchess, and to accompany her party to the play. He used to travel
with a night-cap in his pocket, and having occasion for a handkerchief
at the theatre, made use of his cap for that purpose. In one of his
reveries, however, it fell from the side-box, where he was sitting,
into the pit, where a wag, who picked it up, hoisted it upon the end
of a stick, that it might be claimed by its rightful proprietor. Judge
of the consternation of a large party of ladies of rank and fashion,
when George Harvest rose in the midst of them, and claimed the
night-cap (which was somewhat greasy from use) by the initials G.H.,
which were legibly marked on it. The cap was restored to him amidst
shouts of laughter, that ran through the pit to the great discomfiture
of the duchess and the rest of the party.--Ibid.
* * * * *
SCIENTIFIC RECREATIONS.
* * * * *
ELECTRICAL PHENOMENA.
(_From the Treatise on Electricity--in the Library of Useful
Knowledge_.)
The colours produced by the electric explosion of metals have been
applied to impress letters or ornamental devices on silk and on paper.
For this purpose Mr. Singer directs that the outline of the required
figure should be first traced on thick drawing paper, and afterwards
cut out in the manner of stencil plates. The drawing paper is then
placed on the silk or paper intended to be marked; a leaf of gold is
laid upon it, and a card over that; the whole is then placed in a
press or under a weight, and a charge from a battery sent through the
gold leaf. The stain is confined by the interposition of the drawing
paper to the limit of the design, and in this way a profile, a flower,
or any other outline figure may be very neatly impressed.
Public-domain text, read in full here on John Shaqi.
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