The Mirror of Literature, Amusement, and Instruction. Volume 12, No. 342, November 22, 1828Various
General
The Mirror of Literature, Amusement, and Instruction. Volume 12, No. 342, November 22, 1828
Various
Popular literature -- Great Britain -- Periodicals
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THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.
VOL. 12, NO. 342.] SATURDAY, NOVEMBER 22, 1828. [PRICE 2d.
* * * * *
[Illustration: COUNCIL OFFICE, &c. WHITEHALL. ]
COUNCIL OFFICE, &c. WHITEHALL.
From the Druids' Temple, at Abury, (our last engraving,) to the Council
Office, at Whitehall, is a long stride in the march of time. From "grave
to gay, and lively to severe," is nothing to it; but variety is the
public dictum; and with more sincerity than the courtier in _Tom Thumb_,
we say to the public,
"Whate'er your majesty shall please to name,
Long cut or short cut, to us' tis all the same."
On the annexed page is represented the new splendid range of buildings,
including the _Council Office_, _Board of Trade_, &c. at
Whitehall. The architect, Mr. Soane, has adapted the façade from the
Temple of Jupiter Stator, at Rome.[1]
But Mr. Soane's adaptation has been only partial, and he has adhered
merely to the details of the columns and entablature. "The façade," it is
well observed in an early Number of the _Athenaeum_, "enjoys one of
the most favourable sites for the display of a public building which the
metropolis affords; no limit has been set to the expense; the finest
materials the country yields have been used in its construction; the
richest example of the richest order which antiquity has left us, has
been lavishly employed in its decoration; and yet," continues the critic,
"is not the whole a failure?" He then describes the effect of it as "poor,
or at best but pretty," and attributes the absence of grandeur to the
"want of sufficient elevation."--"To the general elevation it may be
objected, that it has no prominent centre; that, composed of two wings
and an intermediate space receding, it has more the character of a flank
than a front building; and that the want of a central entrance derogates
greatly from its dignity as a principal façade."
Public-domain text, read in full here on John Shaqi.
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