The Mirror of Literature, Amusement, and Instruction. Volume 12, No. 344 (Supplementary Issue) — John Shaqi
The Mirror of Literature, Amusement, and Instruction. Volume 12, No. 344 (Supplementary Issue)Various
General
The Mirror of Literature, Amusement, and Instruction. Volume 12, No. 344 (Supplementary Issue)
Various
Popular literature -- Great Britain -- Periodicals
[1] An artist of celebrity is now engaged on a portrait of Mr.
Southey, _cum privilegio_, we suppose, Mr. Southey is not the only
public man, whose lineaments have been traduced by engravers.
Only look at some of the patriotic gentlemen who figure at public
meetings, and in _outline_ on cards, &c. But Houbraken is now
known to have been no more honest than his successors in portrait
engraving: although physiognomy and craniology ought to help the
moderns out in these matters.
Then comes A Farewell to the year, one of Mr. Lockhart's elegant
translations from the Spanish; a pretty portrait of rustic
simplicity--the Little Gleaner, by the editor; and some playful
lines by M.A. Shee, accompanying an engraving from his own picture
of the Lost Ear-Rings. The Wedding Wake, by George Darley, Esq. is
an exquisite picture of saddened beauty. The Ettrick Shepherd has
the Carle of Invertine--a powerful composition, and the Cameronian
Preacher, a prose tale, of equal effect. In addition to the
pieces already mentioned, by the editor, is one of extraordinary
excellence--the Magic Bridle: his Lines to a Boy plucking
Blackberries, are a very pleasing picture of innocence:--
There stay in joy,
Pluck, pluck, and eat thou happy boy;
Sad fate abides thee. Thou mayst grow
A man: for God may deem it so,
I wish thee no such harm, sweet child:
Go, whilst thou'rt innocent and mild:
Go, ere earth's passions, fierce and proud,
Rend thee as lightning rend the cloud:
Go, go, life's day is in the dawn:
Go, wait not, wish not to be man.
One of his pieces we quote entire:--
THE SEA KING'S DEATH-SONG.
I'll launch my gallant bark no more,
Nor smile to see how gay
Its pennon dances, as we bound
Along the watery way;
The wave I walk on's mine--the god
I worship is the breeze;
My rudder is my magic rod
Of rule, on isles and seas:
Blow, blow, ye winds, for lordly France,
Or shores of swarthy Spain:
Blow where ye list, of earth I'm lord,
When monarch of the main.
When last upon the surge I rode,
A strong wind on me shot,
And tossed me as I toss my plume,
In battle fierce and hot.
Three days and nights no sun I saw,
Nor gentle star nor moon;
Three feet of foam dash'd o'er my decks,
I sang to see it--soon
The wind fell mute, forth shone the sun,
Broad dimpling smiled the brine;
I leap'd on Ireland's shore, and made
Half of her riches mine.
The wild hawk wets her yellow foot
In blood of serf and king:
Deep bites the brand, sharp smites the axe,
And helm and cuirass ring;
The foam flies from the charger's flanks,
Like wreaths of winter's snow;
Spears shiver, and the bright shafts start
In thousands from the bow--
Strike up, strike up, my minstrels all
Use tongue and tuneful chord--
Be mute!--My music is the clang
Of cleaving axe and sword.
Public-domain text, read in full here on John Shaqi.
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