As we have spoken of public dancing in the time of Henry VII., we will show that the enormous sums paid to _artists_ have nourished their conceit to an alarming height. Pitrot, the Vestris of his day, was a consummate specimen of this effrontery. At Vienna, he chose to appear only in the last act of the ballet. The emperor desired him to come forth at the end of the first; Pitrot refused; the court left the opera, and then Pitrot told the dancers they would have a hop by themselves, which they did. However, this was forgiven; and, at his departure, he was presented with the emperor's picture, set with brilliants. Pitrot received it with _sang froid_, pressed his thumb upon the crystal, crushed the picture to pieces, adding, "Thus I treat men not worthy of my friendship." This fellow behaved equally ill in France, Prussia, and Russia; but, at length, scouted by all his patrons, and, after giving his thousands to opera girls, he wandered about Calais in rags and poverty. Farinelli, after accumulating a fortune in England, built a superb mansion in Italy, which he called the _English Folly_.[1] [1] Here is a card "extraordinary" of one of our humble English dancing-masters:--"As Dancing is the poetry of motion, those who wish to sail through the mazes of harmony, or to 'trip it on the light fantastic toe,' will find an able guide in John Wilde, who was formed by nature for a dancing-master.--N.B. Those who have been taught to dance with _a couple of left legs_, had better apply in time, as he effectually cures all bad habits of the kind." The oddity of some ideas of dancing is really ludicrous. The Cambro-Britains, in a very late period, used to be played out of church by a fiddle, and to form a dance in the church-yard at the end of the service. But the ideas which the Chinese have of dancing exceeds all others. When Commodore Anson was at Canton, the officers of the _Centurion_ had a ball upon some court holiday: while they were dancing, a Chinese, who very quietly surveyed the operation, said, softly, to one of the party, "Why don't you let your servants do this for you?" * * * * * FINE ARTS. SCHOOL OF PAINTING AT THE BRITISH INSTITUTION. _(To the Editor of the Mirror.)_ I beg to present you with a brief notice of the School of Painting at the British Institution, Pall Mall; you may rely upon its correctness, as I have been extremely cautious in making my notes, and in ascertaining every particular relative to the subject. The students at this excellent institution have, for several weeks, been arduously engaged in copying the fine pictures which were entrusted to the directors by his majesty, and the nobility, for that purpose. In general, the students have been very successful, and deserve much praise; I must, however, in my prescribed limits, only mention a few.