The fate of Addison, with his Countess Dowager, holding out no encouragement for the ambitious love of Mr. Moore, he wisely and happily allowed his good taste to regulate his choice in a wife, and some years ago married Miss Dyke, a lady of great personal attractions, and accomplished manners, in whose congenial society he passes much of his time in the retirement of an elegant cottage, in Wiltshire, devoting himself chiefly to literary pursuits. In 1808, Mr. Moore sent to the press "Corruption and Intolerance;" two poems, with notes: addressed to an Englishman, by an Irishman; and in 1809, "The Sceptic," a philosophical satire. These works, of which the first is pungently satirical, are little known; but they are worthy of their author. They were succeeded in 1810, by "A Letter to the Roman Catholics of Dublin." His next production, "Intercepted Letters, or the Two-penny Post Bag, by Thomas Brown, the younger," 1812, was eagerly perused, and fourteen editions of it were printed. Its severities on an elevated personage and the court, will perhaps never be forgotten by the parties. In sparkling wit, keen sarcasm, and humorous pleasantry, it is rivalled only by another volume, entitled "The Fudge Family in Paris," published in 1818, the hero of which is a distinguished poet, and a zealous supporter of the present administration. To this class of Mr. Moore's works belong his "Fables for the Holy Alliance," and "Rhymes on the Road," which deserve, in some respect, a higher reputation than the former volumes. Mr. Moore appears equally to have cultivated a taste for music as well as for poesy; and the late Dr. Burney was perfectly astonished at his talent which he emphatically called "peculiarly his own." In 1813, Mr. Moore's fame was materially increased by the appearance of his exquisite songs to Sir John Stevenson's selection of Irish Melodies. Some of these songs are among the finest specimens of poetry in our language, and the morality of the whole of them is unexceptionable. They have since been collected into one volume. In 1816, he published "A Series of Sacred Songs, Duets, and Trios," the music to which was composed and selected by himself and Sir John Stevenson. In 1817, came forth his great work, on which he was known to have been long engaged, and which if it had been his only production, would have carried his name down to posterity as one of the first bards of his time. "Thoughts that breathe, and words that burn," would not be an inapplicable motto for this oriental romance, which unites the purest and softest tenderness with the loftiest dignity, and glows in every page with all the fervour of poetry. For the copyright of this poem he is said to have received the sum of 3,000 guineas, and it must have proved a source of immense profit to the publishers.