The Mirror of Literature, Amusement, and Instruction. Volume 13, No. 352, January 17, 1829Various
History
The Mirror of Literature, Amusement, and Instruction. Volume 13, No. 352, January 17, 1829
Various
Popular literature -- Great Britain -- Periodicals
As a _finale_, the soldiers form a circle, face
outwards, then advance towards the boxes, preserving their circular
order, which they extend, until they approach close enough to climb up
to the benches. Every movement is made to the sound of the drum; the
effect is exceedingly good. A band of music is likewise in attendance,
and plays at intervals. The prelude being over, six or seven toreador
enter the arena on foot, dressed in silk jackets of different colours,
richly spangled or bordered with gold or silver lace. One or two of
these men, and who are called _matadores_, are pardoned criminals, and
they receive a considerable sum for every bull they kill. About the same
time various amateurs, well mounted on steeds gaily caparisoned,
fancifully and tastefully attired, present themselves. When all is
prepared, a door is opened under the box occupied by the municipality,
and a bull rushes from a pen. At first he gazes about as if in surprise,
but is soon put upon his mettle, by the waving of flags and the throwing
of darts, crackers, and other annoyances. The amateur cavaliers display
their horsemanship and skill in provoking and in eluding his vengeance,
in order to catch the eye of some favourite fair one, and to gain the
applause of their friends and the audience. They infuriate the animal by
waving a mantle over his head, and when pursued they do not allow their
horses to advance more than a few inches from the horns of the angry
bull. When at full speed, they make their horse revolve upon his hind
legs, and remain in readiness to make a second turn upon the animal.
This operation is several times repeated with equal agility and
boldness, and is called _capear_. The amateurs then promenade around to
acknowledge the plaudits bestowed. This species of sparring on horseback
with the bull, is practised only in South America. Indeed in no other
part of the world is the training of the horses, or the dexterity of the
horseman, equal to the performance of such exploits. Effigies made of
skin and filled with wind, and others made of straw, in which are live
birds, are placed in the arena. The bull tosses them in the air, but
being made heavy at the base, they come to the ground always retaining
an upright posture. The straw figures are furnished with fire-works,
which are made to take fire when the birds escape from within, and it
sometimes happens that the bull has the flaming and cracking figure upon
his horns. Sometimes the bull is maddened by fire-works being fastened
on him, which go off in succession. The crackers being expended, the
animal usually stands gazing around with rolling tongue, panting sides,
and eyes sparkling with rage. He is then faced by the principal matador,
who holds a straight sword in one hand and a flag in the other; as the
bull runs at him with full speed, the matador coolly, but with great
celerity, takes one step to the left, holding the flag just over the
spot he occupied when the bull took aim.
Public-domain text, read in full here on John Shaqi.
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