The counters of the Bazaar are abundantly stocked with _bijouterie_ and nic-nacs, the _Nouveautes de Paris_ and Spitalfields--Canton in China, and Leatherlane in Holborn--toy-carts for children, and fleecy hosiery for old folks--puffs and pastry, and the last new song--inkstands, taper-lights, pen-wipers, perfumed sealing-wax, French hair-paper, curling-wheels--and all the fair ammunition of love and madness. If you leave your purse at home, or, what is worse, if you have left your money, you know not where, remember Bishop Berkley, and console yourself with the reflection that all these things were made for your enjoyment, and that all around are striving to please you. This will be no trifling source of pleasure--it will fill your head and fill your heart with joy--leave the _pockets_ to grosser minds. * * * * * SOCIETY OF BRITISH ARTISTS, SUFFOLK-STREET, PALL-MALL, EAST. _By a Correspondent_. The sixth exhibition of this society is now open to the public, and the display of talent fully equals, or, perhaps, excels, that of former seasons. The society, since its commencement, has realized twelve thousand pounds from the sale of the works of British artists, who, thus stimulated by the disposal of their performances, have exerted their utmost ability in contributing specimens of their art to the present exhibition. We can, however, only notice a few of those artists who have been particularly successful; our limits not allowing us to extend justice to _all_. The most splendid painting in the gallery is No. 7, _The Departure of the Israelites out of Egypt_, by Mr. Roberts. In the performance of this work, the painter has evidently endeavoured to imitate Martin's compositions. The picture, viewed at a little distance, is certainly grand and imposing; on a near inspection, however, we look in vain for the exquisite finish, and the characteristic expression so universally admired in Mr. Martin's works. We advise Mr. Roberts, if he pursues this class of painting, to unite finish with his bold effects--for attention in this respect will prove the _denouement_ of his pictures. No. 188, _Erle Stoke Park, the seat of G. Watson Taylor, Esq. M.P._ by Mr. Stanfield, is a very delightful picture, being remarkably chaste and clear in the colouring. No. 404, _Mattock High Tor_, by Mr. Hotland, and No. 440, _A Party crossing the Alps_, by Mr. Egerton, are works of high merit; as are the performances of Messrs. Wilson, Blake, Glover,[5] Knight, Nasmyth, Farrier, Gill, Novice, Stevens, Turner, Holmes, and Pidding. [5] _Apropos_, three are twenty-three pictures by this gentleman in the gallery. The engravings and sculpture are likewise very creditable to the institution this season. Mr. Quilly has executed an excellent print from Stanfield's fine picture, _The Wreckers_, which was exhibited last year at the British Institution.