181. _Queen Margaret of Anjou_, being defeated at the battle of Hexham, flies with the young prince into a forest, where she meets with robbers, to whose protection she confides her son.--H. P. Briggs.--This subject is by no means new in art, but is here cleverly treated, and the whole is very effective. 214. _Othello and Desdemona_.--R. Evans.--Why is Othello in armour? Let Mr. Planché, in his _Costumes_, look to this. 216. _Portrait of Miss Phillips, of the Theatre Royal, Drury Lane, as Juliet_.--H. E. Dawe.--This picture is entirely devoid of flattery; and is by no means a good likeness of the interesting original. 224. _Roman Princess, with her Attendant, washing the female pilgrim's feet_.--D. Wilkie--An affecting picture of a truly devotional incident. 246. _Camilla introduced to Gil Blas at the Inn_.--G. S. Newton.--This picture is considered to be Mr. Newton's _chef d'oeuvre_. The landlord is entering the chamber with a flambeau in his hand lighting in a lady, more beautiful than young, and very richly dressed; she is supported by an old squire, and a little Moorish page carries her train. The lankiness of Camilla is somewhat objectionable, but the head is exquisitely animated. The sentimentality of Gil Blas too, is excellent. 293. _The Confessional--Pilgrims confessing in the Basilica of St. Peter's_.--D. Wilkie.--An interesting picture, though not equal to others by the same artist, in the present exhibition. 322. _Hadleigh Castle. The mouth of the Thames--morning after a stormy night_--J. Constable--The picturesque beauty of this scene is spoiled by the spotty "manner of the artist." 352. _Coronation of the Remains of Ines de Castro_.--G. St. Evie.--An attractive picture of one of the most extraordinary scenes in history. The remains of Dona Ines de Castro taken out of her tomb six years after the interment, when she was proclaimed queen of Portugal. This is an illustration of Mrs. Hemans's beautiful lines which we quoted in a recent number of the MIRROR. 455. _Portrait of Mrs. Locke, sen_.--Sir T. Lawrence.--A Reubens-like portrait of a benevolent lady, and which we take to be an excellent likeness. 592. _Portrait of John Parker, Esq. on his favourite horse Coroner, with the Worcestershire fox hounds_.--T. Woodward.--We can relate a curious circumstance connected with this picture. While in the room, a country gentleman and his lady inquired of us the subject--we turned to the number in the Catalogue, and gave him the desired information. "Ah," said he, "I was sure it was _Parker_, and told my wife the same, although I was not previously aware of his portrait being in the Exhibition." We should think the resemblance must be very striking. The _Antique Academy_ is almost covered with portraits, and the miniatures hang in cluster-like abundance--so that what with bright eyes and luxuriant tresses, this is not the least attractive of the rooms.