The Mirror of Literature, Amusement, and Instruction. Volume 13, No. 386, August 22, 1829Various
General
The Mirror of Literature, Amusement, and Instruction. Volume 13, No. 386, August 22, 1829
Various
Popular literature -- Great Britain -- Periodicals
Mr. Crawfurd, in his _Embassy_, describes the following ludicrous scene
arising from a misunderstanding between the sovereign of Birmah and his
ministers:--"The ministers last night reported to the king the progress of
the negotiation. His majesty was highly indignant, said his confidence had
been abused, and that now, for the first time, he was made acquainted with
the real state of affairs. He accused the ministers of falsehoods,
malversations, and all kinds of offences. His displeasure did not end in
mere words; he drew his Dà, or sword, and sallied forth in pursuit of the
offending courtiers. These took to immediate flight, some leaping over the
balustrades which rail in the front of the Hall of Audience, but the
greater number escaping by the stair which leads to it; and in the
confusion which attended their endeavours, (tumbling head over heels,) one
on top of another. Such royal paroxysms are pretty frequent, and, although
attended with considerable sacrifices of the kingly dignity, are always
bloodless. The late king was less subject to these fits of anger than his
present majesty, but he also occasionally forgot himself. Towards the
close of his reign, and when on a pilgrimage to the great temple of
Mengwan, a circumstance of this description took place, which was
described by an European gentleman, himself present, and one of the
courtiers. The king had detected something flagitious, which would not
have been very difficult. His anger rose; he seized his spear, and
attacked the false ministers. These, with the exception of the European,
who was not a party to the offence, fled tumultuously. One hapless
courtier had his heels tripped up in his flight; the king overtook him,
and wounded him slightly in the calf of the leg with his spear, but took
no farther vengeance."
* * * * *
LULLABY.
SHAKSPEARE, in _Titus Andronicus_, says,
"Be unto us, as is a nurse's song
Of _Lullaby_ to bring her babe to sleep."
A learned commentator gives us what he facetiously calls a lullaby note on
this.
"The verb _to lull_, means to sing Gently, and it is connected with the
Greek [Greek: laleo], loquor, or [Greek: lala], the sound made by the
beach of the sea. The Roman nurses used the word _lalla_, to quiet their
children, and they feigned a deity called _Lullus_, whom they invoked on
that occasion; the lullaby, or tune itself was called by the same name."--
_Douce_.
_Lullaby_ is supposed a contraction for _Lull-a-baby_. The Welsh are
celebrated for their Lullaby songs, and a good Welsh nurse, with a
pleasing voice, has been sometimes found more soporific in the nursery,
than the midwife's anodyne. The contrary effects of Swift's song, "Here we
go up, up, up," and the smile-provoking melody of "Hey diddle, diddle,"
_cum multis aliis_, are too well known to be enumerated or disputed. "The
Good Nurse" give us a chapter on the advantage of employing music in
certain stages of protracted illness.
Public-domain text, read in full here on John Shaqi.
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