The portico of the Bowery Theatre is immeasurably the finest _morçeau_ of architecture in the city. It resembles that of Covent-Garden, but seems to be nobler and greater; and yet I am not sure if, in point of dimensions, it is larger, or so large as that of Covent-Garden. The only objection to it--and my objection is stronger against the London theatre--is the unfitness. In both cases, the style and order are of the gravest Templar character, more appropriate to the tribunals of criminal justice, than to the haunts of Cytherea and the Muses.--_New Monthly Mag._ * * * * * THE TRUE FORNARINA. The account of a journey which was taken in the year 1664, by Cosmo, the son of Ferdinand II. de Medici, was written at the time, by Philip Pizzichi, his travelling chaplain. This work was published for the first time at Florence, about seven months ago. It contains some curious notices of persons and things, and among them, what will interest every lover of the fine arts. It is this--speaking of Verona, he mentions the Curtoni gallery of paintings, and says, "The picture most worthy of attention is the lady of Raffaello, so carefully finished by himself, and so well preserved that it surpasses every other." The editor of these travels has satisfactorily shown that Raffaelo's lady here described is the true Fornarina; so that of the three likenesses of her said to be executed by this eminent artist, the genuine one is the Veronese, belonging to the Curtoni gallery, now in the possession of a lady Cavellini Brenzoni, who obtained it by inheritance.--_Monthly Magazine._ * * * * * ITALIAN SCENERY.