The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 399, Supplementary NumberVarious
General
The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 399, Supplementary Number
Various
Popular literature -- Great Britain -- Periodicals
The Irish Mother to her Child, a Song, by Mr. Banim, has great force and
feeling, with the date 1828, significantly appended to this stanza:
Alas! my boy, so beautiful! alas! my love, so brave!
And must your manly Irish limbs still drag it to the grave?
And thou, my son, yet have a son, foredoomed a slave to be?
Whose mother, too, must weep o'er him the tears I weep o'er thee.
Here, too is an exquisite snatch--on Memory:
Fond Memory, like a mockingbird,
Within the widow'd heart is heard,
Repeating every touching tone
Of voices that from earth hath gone.
Queen Catharine's Sorrow is a ballad of mournful minstrelsy. Next is
the Bard's Address to his youngest Daughter, by Mr. Hogg--beginning
Come to my arms, my dear wee pet!
My gleesome, gentle Harriet!
with all the sweetness and affection of shepherd love. The Poet's Oak,
by Allan Cunningham, is a beautiful finish to the volume, which is
altogether equal to any of its compeers.
The Illustrations, twelve in number, may challenge comparison with those
of any similar work. Lyra, the frontispiece, after Wood, by T.A. Dean,
is one of the loveliest creations of art; Vesuvius, after Turner, by
Jeavons, is a most elaborate picture of that sublime spectacle of
Nature; Echo, from Arnald's picture in the last exhibition, is finely
executed by Goodall; and with still greater fidelity, Wilkie's Reading
the News, is engraved by H. Robinson; but spirited and finished as
it is, we must object to the quantity of smoke from the joint on
the baker's board, and more especially from the pie; besides which,
the bakehouse must be at some distance. The picture has a pleasant
accompaniment, by Mr. Charles Knight. Catharine of Arragon, and Mary
Queen of Scots and the Commissioners of the Scottish Church, are so
purely historical as almost to tell their own tale; the first, after
Leslie, by W. Humphreys, is in every line a lesson. The remainder of the
plates are of unequal merit, and the elegantly embossed plum-colour
leather binding is even an improvement on that of last year.
* * * * *
The Amulet.
Public-domain text, read in full here on John Shaqi.
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