The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 399, Supplementary Number — John Shaqi
The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 399, Supplementary NumberVarious
General
The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 399, Supplementary Number
Various
Popular literature -- Great Britain -- Periodicals
The next morning saw Spinello installed in his new office. Beatrice was
seated like a statue in an antique chair with her arms crossed upon her
bosom, her eyes fixed upon vacancy, and her features screwed in spite
of herself, into an expression of weariness and impatience. By degrees,
however, as Spinello conversed with her, now of one trifle, then of
another, her eyes involuntarily wandered to that portion of the room in
which the young dialectician sat involved in shadow, and exerting all
his eloquence and ingenuity to awaken her attention. The experiment
succeeded. Spinello was entreated to be present the next day, the day
following, and, in fact, every day, until the portrait was completed,
or, at least, nearly so. He gazed, as I have said, upon the face of
Beatrice, and would sometimes spend a moment in examining the inanimate
representation of it, and in instituting a comparison between it and
the original; until one day forgetting in his idolatry of loveliness
the respect due to old age, he snatched the pencil from the hand of
Bernardo, and with singular ardour and impatience exclaimed--"Let me
finish it!" Without uttering a word, the old man, awed by the vehemence
of his manner, yielded up the pencil; and Spinello proceeded, as if in
a dream, to embody upon the canvass the idea of beauty which inhabited
his soul.
Spinello, thus entrapped by his own enthusiasm, could do no other than
proceed with the portrait. Though infinitely desirous not to wound the
feelings of Daddi, he perceived at once that it would be necessary
to recast the whole design of the piece to change the style of
colouring--in a word, to paint a new picture. Daddi, who loved his
child still more than his art, and wished to preserve and transmit to
posterity a likeness of her, by whomsoever painted, was not offended,
though he was a little hurt, by this freedom, and without murmur or
objection allowed Spinello to accomplish his undertaking in whatever
manner he pleased. The young man went to work with a satisfaction and
alacrity he had never before experienced; and the image of Beatrice,
passing into his soul, to be thence reflected, as from one mirror upon
another, on the canvass, shed the light of Paradise over his fancy--as
the musk-deer perfumes the thicket in which it slumbers.
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