The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 401, November 28, 1829 — John Shaqi
The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 401, November 28, 1829Various
General
The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 401, November 28, 1829
Various
Popular literature -- Great Britain -- Periodicals
Without further preface, allow me in the first place to call your
attention to a word, which, by adding a syllable, becomes shorter,
viz. the word _short_--on the other hand we have words of one
syllable, which, by taking away two letters, become words of two
syllables, as plague, league, both of which, by such an elision, leave
_ague_. By dropping the two first letters of the word _monosyllable_,
we have _no syllable_ remaining.
It has been remarked that _heroine_ is one of the most peculiar words
in our language, as it may be thus divided--the two first letters of
it are male--the three first female--the four first a brave man, and
the whole word a brave woman. Thus: _he, her, hero, heroine_. A beggar
may address himself, and say, _mend I can't!_--leave out the
apostrophe and he still remains a _mendicant_. _Tartar, papa, murmur,
etc._ may be noticed as doubling the first syllable, and _eye, level_,
and other words as having the same meaning whether read backwards or
forwards. Some few by a reverse reading give a different sense as
_leper, revel, etc._
W.F.
* * * * *
FINE ARTS
* * * * *
ADDITIONAL REMARKS ON THE SCHOOL OF PAINTING, AT THE BRITISH
INSTITUTION.
(_To the Editor of the Mirror_.)
My first view of the copies at the British Institution being rather
too cursory to allow me to do ample justice to several of much merit.
Another visit has enabled me to make a few additional remarks on the
performances of many worthy young aspirants, who, it is presumed, will
receive fresh stimulus from the approbation extended to them.
In my last notice, which appeared in No. 396, of the MIRROR, I
adverted to Miss Sharpe's water-colour drawing of the Holy Family, by
Sir J. Reynolds; this is really an inimitable copy, possessing all the
richness of tint, and even the boldness and texture, of the original.
It is unquestionably the finest copy in water ever executed in the
Institution, to which, as well as to the talented lady, it is a very
high honour. From the numerous _small_ copies _in oil_ of the Holy
Family, I regret not being able to select more than one--that by Mr.
Sargeant.
Mr. Heaphy, in all his drawings, evinces considerable artistical
knowledge; his small study from Vandyke's Portrait of a Gentleman is
admirable in colour and execution.
Public-domain text, read in full here on John Shaqi.
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