The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 402, Supplementary Number (1829)Various
General
The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 402, Supplementary Number (1829)
Various
Popular literature -- Great Britain -- Periodicals
"At Number Six they say Miss Rose
Has slain a score of hearts,
And Cupid, for her sake, has been
Quite prodigal of darts.
The imp they show with bended bow--
I wish he had a gun;
But if he had, he'd never deign
To shoot with Number One.
"It's very hard, and so it is,
To live in such a row;
And here's a ballad-singer come
To aggravate my woe;
O take away your foolish song
And tones enough to stun--
There is 'nae luck about the house,'
I know at Number One."
Next is a prose sketch:
THE FURLOUGH.--AN IRISH ANECDOTE.
"In the autumn of 1825, some private affairs called me into the sister
kingdom; and as I did not travel, like Polyphemus, with my eye out,
I gathered a few samples of Irish character, amongst which was the
following incident:--
"I was standing one morning at the window of 'mine Inn,' when my
attention was attracted by a scene that took place beneath. The Belfast
coach was standing at the door, and on the roof, in front, sat a
solitary outside passenger, a fine young fellow, in the uniform of the
Connaught Rangers. Below, by the front wheel, stood an old woman,
seemingly his mother, a young man, and a younger woman, sister or
sweetheart; and they were all earnestly entreating the young soldier to
descend from his seat on the coach.
"'Come down wid ye, Thady'--the speaker was the old woman--'come down
now to your ould mother; sure it's flog ye they will, and strip the
flesh off the bones I giv ye. Come down, Thady, darlin!'
"'It's honour, mother,' was the short reply of the soldier; and with
clenched hands and set teeth, he took a stiffer posture on the coach.
"'Thady, come down--come down, ye fool of the world--come along down wid
ye!' The tone of the present appeal was more impatient and peremptory
than the last; and the answer was more promptly and sternly pronounced:
'It's honour, brother!' and the body of the speaker rose more rigidly
erect than ever on the roof.
"'O Thady, come down! sure it's me, your own Kathleen, that bids ye!
Come down, or ye'll break the heart of me, Thady, jewel; come down
then!' The poor girl wrung her hands as she said it, and cast a look
upward that had a visible effect on the muscles of the soldier's
countenance. There was more tenderness in his tone, but it conveyed the
same resolution as before.
"'It's honour, honour bright, Kathleen!' and, as if to defend himself
from another glance, he fixed his look steadfastly in front, while the
renewed entreaties burst from all three in chorus, with the same answer.
"'Come down, Thady, honey!--Thady, ye fool, come down!--O Thady, come
down to me!'
"'It's honour, mother!--It's honour, brother!--Honour bright, my own
Kathleen!'
Public-domain text, read in full here on John Shaqi.
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