There is an abundance of Sonnets and short pieces which would dovetail in our columns, were we tempted by their merit to extract them; but, in place of enumerating them, we notice the Engravings, some of which are excellent specimens of art. Among these is a Portrait of THE KING, by Ensom, from a painting by Sir Thomas Lawrence, in the collection of Sir William Knighton, Bart. Next is Ada, a Portrait of a Young Lady, delicately engraved by T.A. Dean, after Sir Thomas Lawrence. The print is about the size of a crown-piece, a perfect _gem--a bijou_ in itself. The African Daughter, by Sangster, from a picture by Bonington, abounds with vigorous and effective touches; some of the lights are extremely brilliant. Next is the Portrait of Mrs. Arbuthnot, by W. Ensom, from the President's picture, full of grace and life, and richly meriting the term exquisite: nothing can be finer than the dark luxuriant hair contrasted with the alabaster delicacy and elegance of the features; the eyes too beam with benignant expressiveness. Wilkie's Bag-Piper has been powerfully engraved by Aug. Fox; and a Portrait of Lady Jane Grey, after De Heere, is an interesting variety. Milton composing Paradise Lost, from a drawing by Stothard, is far from our taste; but the Blue Bell, by Fox, from a picture by W.A. Hastings, somewhat atones for the previous failure: its prettiness is of the first class. Our notice has extended to all the Engravings except one--Rosalind and Celia--about which, the less said the better. There are, perhaps, too many portraits in the collection, but taken apart, they are among the first-rate productions of their class. * * * * * THE FORGET-ME-NOT. Eighty-three pieces in verse and prose are the _modicum_ of entertainment in this delightful little work. Of course we cannot enumerate a quarter of their titles, but only mention a few of the most striking. Among the prose is "A Quarter of an Hour too soon," by the author of "The Hour too many," in the last Forget-Me-Not. Our favourite story is _The Red Man_, by the Modern Pythagorean of Blackwood, which we quote almost entire:--