The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 402, Supplementary Number (1829)Various
General
The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 402, Supplementary Number (1829)
Various
Popular literature -- Great Britain -- Periodicals
The author of _Anastasius_ (Mr. Thos. Hope) has contributed five or six
pages on Self-love, Sympathy, and Selfishness--which are deep enough for
any Lady D. of this or the next century. We expected a powerful and
picturesque tale of the East, and not such sententious matter as
this:--"Every sentient entity, from the lowest of brutes to the highest
of human beings, desires self-gratification:" we may add, a principle as
well understood in Covent-garden as in Portland-place. Mr. Banim has
written The Hall of the Castle, an interesting Irish story; and Lord
Normanby, The Prophet of St. Paul's, of the date of 1514--which
concludes the volume.
Among the Poetry are some pretty verses by Lord Porchester; but it is
well that metrical pieces do not predominate, for some of the writers
are sadly unmusical sonneteers.
The "Letters from Lord Byron to several Friends" are not of interest
enough for the space they occupy.
The _Plates_ are beyond praise. The Frontispiece Portrait of Lady
Georgiana Agar Ellis, by Charles Heath, is one of the most exquisite
ever engraved; and two plates illustrating Sir Walter Scott's _House of
Aspen_ have the effect of beautiful pictures on a blank wall. _Two_
views of Virginia Water are, perhaps, questionable in the same volume;
but they are admirably engraved. Wilkie's "beautiful, though," as Lord
Normanby says, "somewhat slight cabinet picture of the Princess Doria
and the Pilgrims[1]" has been finely executed by Heath; and a View of
Venice, from a drawing by Prout, is a masterpiece of Freebairne. Equal
to either of these is The Faithful Servant, engraved by Goodyear, after
Cooper, and Dorothea, the title-page plate. Of The Bride, engraved by
Charles Heath, from a picture by Leslie, it is impossible to speak in
terms of sufficient praise, as it is, without exception, one of the
loveliest prints ever beheld. We have had our laugh at The Portrait, a
scene from Foote, painted by Smirke, and engraved by Portbury. Its whim
and humour is describable only by the British Aristophanes. We can only
add, that it is Lady Pentweazle sitting to Carmine for her portrait--the
look that he despairs of imitating, as we do Foote's account of her
family:--
[1] Some nice calculators have estimated that the various sums
received by Mr. Wilkie for the supplies he has furnished to the
Illustrations of the Annuals of the coming season amount to
upwards of £1,000.--_Athenaeum_.
"All my family, by the mother's side, are famous for their eyes. I have
a great aunt amongst the beauties at Windsor; she has a sister at
Hampton Court, a perdegeous fine woman! she had but one eye, but that
was a piercer: that one eye got her three husbands."
The painter appears to us to be a portrait of Foote. We ought not to
forget to mention, at least, Francis I. and his Sister, splendidly
engraved by C. Heath, from a picture by Bonington.
* * * * *
THE COMIC ANNUAL.
_By Thomas Hood, Esq._
Public-domain text, read in full here on John Shaqi.
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