[1] For a general description of this magnificent edifice, see MIRROR, No. 247. (_For the Mirror_.) Many persons who have visited this chapel may not have noticed or been aware of the splendid painted ceiling by Sir Peter Paul Rubens, which was executed by him when ambassador at the court of James I. This beautiful performance represents the apotheosis of that peaceful monarch, he being seated on his throne, and turning towards the deities of peace and commerce, having rejected the gods of war and discord. It is painted on canvass, and is in excellent preservation; the original painter had £3,000. for his labour; it has been retouched more than once, and the last time was by Cipriani, who had £2,000. for his repairs. Ralph, in his _Critical Review of Public Buildings_, observes, "that this picture is not so generally known as one could wish, but needs only to be known to be esteemed according to its merits;" and he further adds, "it is but an ill decoration for a place of religious worship, for in the first place, its contents are nowise akin to devotion, and in the next, the workmanship is so very extraordinary that a man must have abundance of zeal or no taste, that can attend to anything besides." It is almost needless to remark, that it was from a passage broken for the occasion through the wall of this building, that the unfortunate Charles was conducted by the regicides to his death; this passage still remains, and now serves as a doorway to an additional building in Scotland Yard: and nearly facing this doorway stood the ingenious Dial, engraved and described in No. 400, of the MIRROR. The next important and public event connected with this building occurred in 1811, when a very different and far more gratifying spectacle took place, being that of the ceremony of placing in the chapel, the eagles and other colours taken by our gallant troops during the war. There were six standards and the like number of regimental colours, which after having been presented at the altar were affixed to the places they now occupy. There is a singular circumstance attached to the history of one of the eagles which may be well introduced in this place; it may be distinguished from the others by its having a wreath placed round its neck, the flag itself being destroyed. It was the usual custom for the eagles to be attached to the staves on which they are borne by a screw, so that in the event of any imminent danger, they might be taken off and secured; but Napoleon on his presenting this standard to his 8th regiment, observed, it was impossible that it should be taken from so brave a body of men as they had always proved themselves to be, and desired it might be rivetted to the staff, which was accordingly done; and probably had it not been for this order the eagle might have escaped our valiant 87th, by whom it was taken on the heights of Barossa.