The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 407, December 24, 1829Various
General
The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 407, December 24, 1829
Various
Popular literature -- Great Britain -- Periodicals
Among his poetical works, the minor pieces display considerably more
energy than those of greater length. The _Pleasures of Hope_ is
entitled to rank as a British classic; and his _Gertrude_ is
perhaps one of the most chaste and delicate poems in the language. His
fugitive pieces are more extensively known. Some of them rouse us like
the notes of a war trumpet, and have become exceedingly popular; which
every one who has heard the deep rolling voice of Braham or Phillips in
_Hohenlinden_, will attest. Neither can we forget the beautiful
_Valedictory Stanzas_ to John Kemble, at the farewell dinner to
that illustrious actor. Another piece, _the Last Man_, is indeed
fine--and worthy of Byron. Of Campbell's attachment to his native
country we have already spoken, but as a finely-wrought specimen of
this amiable passion we subjoin a brief poem:
LINES WRITTEN ON VISITING A SCENE IN ARGYLESHIRE.
At the silence of twilight's contemplative hour,
I have mused in a sorrowful mood,
On the wind-shaken weeds that embosom the bower,
Where the home of my forefathers stood.
All ruin'd and wild is their roofless abode,
And lonely the dark raven's sheltering tree:
And travell'd by few is the grass-cover'd road,
Where the hunter of deer and the warrior trode
To his hills that encircle the sea.
Yet wandering I found on my ruinous walk,
By the dial-stone aged and green,
One rose of the wilderness left on its stalk,
To mark where a garden had been.
Like a brotherless hermit, the last of its race,
All wild in the silence of nature, it drew,
From each wandering sun-beam, a lonely embrace
For the night-weed and thorn overshadow'd the place,
Where the flower of my forefathers grew.
Sweet bud of the wilderness! emblem of all
That remains in this desolate heart!
The fabric of bliss to its centre may fall,
But patience shall never depart!
Though the wilds of enchantment, all vernal and bright,
In the days of delusion by fancy combined
With the vanishing phantoms of love and delight,
Abandon my soul, like a dream of the night,
And leave but a desert behind.
Be hush'd, my dark spirit! For wisdom condemns
When the faint and the feeble deplore;
Be strong as the rock of the ocean that stems
A thousand wild waves on the shore!
Through the perils of chance, and the scowl of disdain,
May thy front be unalter'd, thy courage elate!
Yea! even the name I have worshipp'd in vain
Shall awake not the sigh of remembrance again:
To bear is to conquer our fate.
Of a similar description are his "Lines on revisiting a Scottish
River."[6]
[6] See MIRROR, No. 257.
Public-domain text, read in full here on John Shaqi.
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