The Mirror of Literature, Amusement, and Instruction. Volume 17, No. 478, February 26, 1831Various
General
The Mirror of Literature, Amusement, and Instruction. Volume 17, No. 478, February 26, 1831
Various
Popular literature -- Great Britain -- Periodicals
THOMAS CHALMERS: "We know of few more striking examples of character
infusing itself into hand writing, than that presented by the autograph
of Dr. Chalmers. No one who has ever heard him preach, can fail to
observe, that the heavy and impressive manner in which he forms his
letters is precisely similar to the straining and energetic style in
which he fires off his words. There is something painfully earnest
and laborious in his delivery, and a similar sensation of laborious
earnestness is produced by looking at his hard pressed, though manly
and distinct, signature. It is in a small space, an epitome of one of
his sermons."
A. ALISON; the author of "Essays on Taste," and other works of sound
discrimination.
WASHINGTON IRVING; the graceful author of the "Sketch Book," free as a
crayon drawing, with all its exquisite light and shade.
JANE PORTER: a fully more masculine though less tasteful hand than
Washington Irving, with whom she happens to be in juxtaposition; and
the fair authoress of "Thaddeus of Warsaw," and "the Scottish Chiefs"
certainly appears to have as masculine a mind as the elegant but perhaps
somewhat effeminate writer of "the Sketch Book."
W. TENNANT: "full of originality, and in this resembles his own 'Anster
Fair.' The notion may be a fanciful one, but there seems to be a sort
of quiet humour in the writing, which makes its resemblance to 'Anster
Fair' still more complete. The principle upon which the letters are
formed is that of making all the hair strokes heavy, and all the heavy
strokes light."
* * * * *
HALCYON DAYS.
(_To the Editor._)
The following account of the origin and antiquity of Halcyon Days will,
I feel convinced, prove a valuable addition to that given by your
intelligent correspondent P.T.W., in No. 471 of _The Mirror_:--
Halcyon Days, in antiquity, implied seven days before, and as many
after, the winter solstice--because the halcyon laid her eggs at this
time of the year, and the weather during her incubation being, as
your correspondent observes, usually calm. The phrase was afterwards
employed to express any season of transient prosperity, or of brief
tranquillity--the _septem placidae dies_ of human life:
The winter solstice just elapsed; and now
Silent the season, sad alcyone
Builds near the sleeping wave her tranquil nest.
_Eudosia._
When great Augustus made war's tempest cease,
His halcyon days brought forth the arts of peace.
_Dryden._
The halcyon built her nest on the rocks adjacent to the brink of the
ocean, or, as some maintain, on the surface of the sea itself:
Alcyone compress'd
Seven days sits brooding on her wat'ry nest,
A wintry queen; her sire at length is kind,
Calms every storm, and hushes every wind.
_Ovid, by Dryden._
It is also said, that during the period of her incubation, she herself
had absolute sway over the seas and the winds:
Public-domain text, read in full here on John Shaqi.
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