The Mirror of Literature, Amusement, and Instruction. Volume 17, No. 485, April 16, 1831Various
History
The Mirror of Literature, Amusement, and Instruction. Volume 17, No. 485, April 16, 1831
Various
Popular literature -- Great Britain -- Periodicals
J. MONTGOMERY.--This hand is far more redundant in ornament than one would
have expected from so gentle and talented a Quaker; but the Quaker has
been lost in the poet, as an old grey wall is concealed under a luxuriant
mantling of ivy. The autograph now engraved is copied from the signature
attached to the original of his beautiful poem on Night, beginning--"Night
is the time for rest."--_Edinburgh Literary Journ._
CH. MAURICE DE TALLEYRAND--whose life will hereafter be traced throughout
a volume of the history of the last and present century. His age is 77.
This signature is copied from the Frontispiece to the last edition to the
_Court and Camp of Bonaparte_, in the _Family Library_, which is a fine
portrait of Talleyrand, engraved by Finden, from a picture by Girard.
H. MACKENZIE--author of the _Man of Feeling_, &c. He died during the past
year, in Edinburgh.
* * * * *
FINE ARTS.
* * * * *
PANORAMA OF HOBART TOWN.
Mr. R. Burford, the most successful panorama painter of his day, has
lately completed a View of Hobart Town, Van Dieman's Land, and the
surrounding country, which he is now exhibiting in the Strand. It is not,
perhaps, the most striking picture this ingenious artist has produced, yet
it is certainly one of the most interesting. The embellishments of books
of travels, the sketches of tourists, and the extravagant _annual_ prints,
have familiarized the stay-at-home reader with almost every city on the
European continent; but a view in Van Dieman's Land is much more of a
novelty. It is comparatively a _terra incognita_, about which every one
must feel some curiosity, though more rationally expressed than that of a
King of Persia, who asked what sort of a place America was--"underground,
or how?" For the purpose of giving a general idea of a country, a
panoramic painting is well adapted: the size of the objects is at once
natural, there is no straining of eyes to make them out, and the effect of
the whole scene is that of being dropped in the midst of the country, and
its surface at once spread before us.
Of Hobart Town we quote a brief description from Mr. Burford's pamphlet,
or key to the picture:--
Public-domain text, read in full here on John Shaqi.
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