The Mirror of Literature, Amusement, and Instruction. Volume 17, No. 485, April 16, 1831Various
History
The Mirror of Literature, Amusement, and Instruction. Volume 17, No. 485, April 16, 1831
Various
Popular literature -- Great Britain -- Periodicals
"After conversing with her for some time upon indifferent matters, she
asked me if I was fond of caricatures, and spoke particularly of the
designs of George Cruikshank. Scarcely had she mentioned the name of this
artist, than I was seized with a strange shuddering. In one moment I
called to mind his illustrations of Punch and Judy, at which we had been
looking, before coming down to supper. A clue was now given to the
otherwise unaccountable train of feelings, which had possessed me ever
since I saw Miss Snooks. From the moment when I first set my eyes upon
her, I fancied I had seen her before; but where, when, and upon what
occasion I found it impossible to tell. Her squeaking voice, her blue
twinkling eyes, her huge frilled cap, and above all, her mighty nose, all
seemed familiar to me. They floated within my spirit as a half-forgotten
dream; and without daring to whisper such a thing to myself, I still felt
the impression that all was not new--that the novelty was not so great as
I imagined.
"But Punch and Judy set all to rights. I had seen Miss Snooks in George
Cruikshank, and at once all my perplexing feelings were accounted for.
_She_ was Judy--_she_ was Punch's wife. Yes, Miss Snooks, the old maid,
was the wife of Mr. Punch. There was no denying the fact. The same small
weazel eyes, the same sharp voice and hooked chin, and the same nose--at
once mountain, cape, &c. &c. belonged alike to Judy and Miss Snooks. They
were two persons; the same, yet, different--different, yet the same--the
one residing in the pages of Cruikshank, or chattering and fighting in the
booths of mountebanks at Donnybrook or St. Bartholomew's Fair--the other
seated bolt upright, at the head of her cousin's table, beside a small
_coterie_ of _littérateurs_.
"I know not whether it was the effect of the old port, but, strange to
say, I could not for some time view Miss Snooks in her former capacity,
but simply as Judy. She was magnified in size, it is true, from the pert,
termagant puppet of the fairs, and was an authoress--a writer of tragedies
and novels--in which character, to the best of my knowledge, the spouse of
Punchinello had never made her appearance, but then the similitude between
them, in other respects, was so striking as to constitute identity. Eyes,
chin, voice, nose, were all precisely alike, and stamped them as one and
the same individual.
"But this strange illusion soon wore away, and I again saw Miss Snooks in
her true character. It would perhaps be better if I said that I saw her
nose--for somehow I never could look upon herself save as subordinate to
this feature. It were an insult to so majestic a promontory to suppose it
the mere appendage of a human face. No--the face was an appendage of it,
and kept at a viewless distance behind, while the nose stood forward in
vast relief, intercepting the view of all collateral objects--casting a
noble shadow upon the wall--and impressing an air of inconceivable dignity
upon its fair proprietor.
Public-domain text, read in full here on John Shaqi.
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