The Mirror of Literature, Amusement, and Instruction. Volume 17, No. 487, April 30, 1831Various
General
The Mirror of Literature, Amusement, and Instruction. Volume 17, No. 487, April 30, 1831
Various
Popular literature -- Great Britain -- Periodicals
It appears that the _Family Library_, as well as the _Cabinet Cyclopædia_,
is to have its own _History of England;_ since the 21st "Family" volume is
the first of such a History, and comprises the Anglo-Saxon period, from
the pen of that distinguished antiquarian scholar, Francis Palgrave, Esq.
F.R.S. &c. The portion before us, as our readers may imagine, is extremely
interesting: it is well studded or sprinkled with origins and antiquities
popularly illustrated, and has little or none of the dryness of an
antiquarian pen. We quote two such passages, and especially direct the
attention of the reader to our third extract, relative to the early
influence of Christianity:--
_Stonehenge._
The temples in which the Britons worshipped their Deities, were composed
of large, rough stones, disposed in circles; for they had not
sufficient skill to execute any finished edifices. Some of these circles
are yet existing; such is Stonehenge, near Salisbury: the huge masses of
rock may still be seen there, grey with age; and the structure is yet
sufficiently perfect to enable us to understand how the whole pile was
anciently arranged. Stonehenge possesses a stern and savage magnificence.
The masses of which it is composed are so large, that the structure seems
to have been raised by more than human power. Hence, _Choir-gaur_[11] was
fabled to have been built by giants, or otherwise constructed by magic
art. All around you in the plain, you will see mounds of earth or
"tumuli," beneath which the Britons buried their dead. Antiquaries have
sometimes opened these mounds, and there they have discovered vases,
containing the ashes and the bones of the primeval Britons, together with
their swords and hatchets, and arrow-heads of flint or of bronze, and
beads of glass and amber; for the Britons probably believed, that the dead
yet delighted in those things which had pleased them when they were alive,
and that the disembodied spirit retained the inclinations and affections
of mortality.
[11] The "_Giant's Dance_"--the British name of Stonehenge.
_London in the Seventeenth Century._
Public-domain text, read in full here on John Shaqi.
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