The Mirror of Literature, Amusement, and Instruction. Volume 17, No. 494, June 18, 1831Various
General
The Mirror of Literature, Amusement, and Instruction. Volume 17, No. 494, June 18, 1831
Various
Popular literature -- Great Britain -- Periodicals
The eagle is said to live to a great age--sixty, eighty, and, as some
assert, one hundred years. This circumstance is remarkable, when we
consider the seeming intemperate habits of the bird. Sometimes
fasting, through necessity, for several days, and at other times
gorging itself with animal food till its craw swells out the plumage
of that part, forming a large protuberance on the breast. This,
however, is its natural food, and for these habits its whole
organization is particularly adapted. It has not, like men, invented
rich wines, ardent spirits, and a thousand artificial poisons, in the
form of soups, sauces, and sweetmeats. Its food is simple, it indulges
freely, uses great exercise, breathes the purest air, is healthy,
vigorous, and long lived. The lords of the creation themselves might
derive some useful hints from these facts, were they not already, in
general, too wise, or too proud, to learn from their _inferiors,_ the
fowls of the air and beasts of the field.
* * * * *
NOTES OF A READER.
THE LATE MRS. SIDDONS.
The subsequent account of Mrs. Siddons, nearly fifty years since, will
perhaps give the reader a better outline of that "Queen of Tragedy"
than any that has since appeared. We ought to mention that it is
quoted from Mr. Boaden's _Memoirs_, and was written on the appearance
of Mrs. Siddons in the character of Isabella, for the first time in
London, October 10, 1782. Mr. Boaden thus introduces the quotation, in
vol. i. of his work:--
As the person of our great actress has undergone some change, and her
features by time became stronger, I should find it difficult now to
describe her accurately by memory, as she stood before the audience on
the night of the 10th of October. I am relieved from this difficulty
by an account of her written at the time. I shall change only a few of
the expressions then used, more from a feeling as to composition than
alteration as to sentiment.
Public-domain text, read in full here on John Shaqi.
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