Wherever a proposition is self-evident, it is but weakening its strength to bring forward arguments in its support. It is a melancholy reflection that a glass of wine will do more towards raising the spirits, than the finest composition ever penned. It is a great mistake in physiognomists to take outward signs as evidences of feeling: the seat of real sensation is within. Wherever art has travelled out of her proper sphere to ape nature, she has proved herself but a miserable mimic, even in her most approved efforts. We must not allow ourselves to dwell too seriously on life; for otherwise we shall be tempted to forego all our plans, to indulge in no future wishes, and, in short, to live on in torpid apathy. Books are at last the best companions: they instruct us in silence without any display of superiority, and they attend the pace of each man's capacity, without reproaching him for his want of comprehension. A disgust of life frequently proceeds from sheer vanity, or a wish to be supposed incapable of deriving gratification from the ordinary routine of happiness. It sometimes happens that with men as well as animals, that evidences of spirit are only the effect of excited fear. (_To be continued_.) * * * * * THE LAW INSTITUTION.[1] (At the time of our last publication we were not aware that any architectural details of the building in Chancery-lane had appeared. We now find that the _Legal Observer_ contained such description in March last, "collected," says the editor, "with some pains and trouble." A correspondent dropped the _Observer_ leaf into our letter-box in the course of last week; but, unfortunately, the communication did not reach us in time for insertion with our Engraving. Good news, we know, usually comes upon crutches, but we hope our thanks will reach this correspondent at a better pace.) The style of architecture of the principal front in Chancery-lane is purely Grecian. The details and proportions appear to have been founded upon the best examples of the Ionic order in Athens and Asia Minor,[2] but they are not servilely copied from any of them. Mr. Vulliamy, the architect for the Institution, has thrown into this front the true spirit of the originals; and the effect which the harmonious proportions of the building produce on the spectator, when viewing it from Chancery-lane, must have been the result of much observation and experience in ancient and classic models.