The Mirror of Literature, Amusement, and Instruction. Volume 19, No. 551, June 9, 1832Various
General
The Mirror of Literature, Amusement, and Instruction. Volume 19, No. 551, June 9, 1832
Various
Popular literature -- Great Britain -- Periodicals
The accident that led to this fortunate reconnoitre is not impertinent
to our subject: in a time of dearth, which was severely felt in the
city, the famous ballad-maker Delone composed a song reflecting on her
Majesty. The ballad-maker and singer were both committed to the compter,
but the poet defied government even while in the lion's den. In a letter
to the Lord Mayor, he avowed the ballad, and justified it. Nash, in the
meantime, in an interview with the Secretary, established his innocence,
and laid the foundation of his future prosperity.
The Gipsies furnished a number of singers about this time. The laws and
_prejudices_ of society concurred in denouncing this race; but,
nevertheless, the best received ballad-singers of their time were of
this bronzed tribe.
In the reigns of James the First and his successor, the taste of the
people for nature and simplicity kept up the profession of
ballad-singing. We are to look upon ballad-singers from this time as a
corporation. Custom had established yearly festivals for them in the
_classic regions_ of St. Giles's, which were frequented by the wits of
the day--Swift, Gay, Bolingbroke, Steele, &c. From these high followers
of the muses, yearly contingents of ballads were expected. Swift
contracted for the humourous songs: Gay who had, as Goldsmith says, "a
happy strain of ballad-thinking," was set down for the pathetic ones;
and those of a miscellaneous character were divided amongst a number of
amateur bards. No importunities, even of his friends, could induce Pope
to attend any of these assemblies. He was prevailed on to write an
epitaph for a young creature whom he had seen, and who was known by the
name of Clarinda: favoured by the great, if she had not been attached to
the life of a ballad-singer, she might, with her accomplishments, have
risen to distinction and fortune.
Gay and Swift had naturally a relish for low society, and were hailed by
the fraternity as the most precious sources of profit. Amongst other
songs which Swift sent into the world through the medium of
ballad-singers, was a severe satire upon the Duke of Marlborough,
beginning "Our Johnny is come from the wars:" it drew much attention,
and excited the strongest resentment against the author in the breast of
the Duchess, who remained implacable until the publication of Gulliver,
when she offered her friendship to Swift, through his friend Gay.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account