The Mirror of Literature, Amusement, and Instruction. Volume 20, No. 557, July 14, 1832Various
General
The Mirror of Literature, Amusement, and Instruction. Volume 20, No. 557, July 14, 1832
Various
Popular literature -- Great Britain -- Periodicals
slackening speed, and in another instant came to the banks of what
appeared a small river. He dashed into the rapid stream, and instead of
crossing ran up the opposite side in the shallow part, knowing that the
dogs would thus be thrown off the scent. He had not advanced far before
they arrived at the brink he had left, and by their increased yelling,
showed that they were at fault. He sustained many a severe and dangerous
fall amongst the slippery stones in the river; but hope had sprung up in
his heart, and it was not without a fervent prayer that he heard the
shouts and yells of his pursuers wax fainter and fainter. In about half an
hour he reached a small lake or _tarn_, as it is called in the north,
which appeared to be the source of the stream. Here he had breathing time;
but he was chilled with wet, and altogether in a dismal condition. He more
than once thought he heard the voices of men and dogs in the blast; but
their search was in vain, for about daybreak he reached a place of safety
more dead than alive.
Here the loud snoring of Lieutenant ----, put an end to the narration.
VYVYAN.
* * * * *
STUPENDOUS BRIDGE IN SPAIN.
[Illustration]
Bridges are amongst the noblest, if not the most ancient, triumphs of
human art. Many of the specimens of former ages are admired for their
massive solidity, as well as for the beauty of their architectural
decoration. The present bridge, a fabric of the last century, has neither
of these attractions, though it is constructed upon the best principle of
modern bridge-building--that of having one single arch. Péronnet and De
Chezi, two celebrated engineers, who are regarded as the founders of a new
school of bridge architecture in France, made it their study to render the
piers as light, and the arches as extended and lofty as possible; and the
above bridge is a handsome structure of this class. It has been objected
that the modern French bridges have not that character of strength and
solidity which the ancient bridges possessed, and that in the latter, the
eye is generally less astonished, but the mind more satisfied, than in the
former. To these objections the Spanish bridge is by no means liable, as
we shall proceed to show from its details.
The present bridge extends across the river, Guadiaro, in the South of
Spain, and connects the romantic city of Ronda with its suburbs. The
situation of the city, encircled by Guadiaro, is described by Mr. Jacob,[5]
as follows:--
Public-domain text, read in full here on John Shaqi.
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