Form--To judge of form in general. The function of this faculty is essential to those engaged in the imitative arts: it enables the painter to distinguish the different casts of features and countenances in general; and upon the same principle, is of the most essential service to the mineralogist. The organ is found large in King George III., and in the Chinese sculls. Weight or resistance, essential to a genius for mechanics, enabling the individual to judge of momentum and resistance in that branch of science. The organ is large in Brunel and Sir Isaac Newton. Colouring--remarkably developed in the portraits of Reubens, Rembrandt, Titian, Salvator Rosa, and Claude Lorraine, where its large size is indicated by the arched appearance of the eyebrow in its situation; and in the masks of the late Sir Henry Raeburn, Wilkie, and Haydon, by the projection forwards of the eyebrow at that part. Locality--or the power of remembering localities, in Kepler, Galileo, Newton, Tycho, Descartes, Sir Walter Scott, and Captain Cook, is large. Number, or a talent for calculation--in the portraits of Euler, Kepler, Laplace, Gassendi, &c., and in George Bidder, Humboldt, and Colburn, large. Tune--In Gluck, where it has a pyramidal form. In Mozart, Viotti, Turnsteg, Dussek, and Crescenti, where it is distinguished by a fullness and roundness of the lateral parts of the forehead. Language--in Sir J.E. Smith, Humboldt, and Voltaire, large. Comparison--in Pitt, Roscoe, Raphael, Burke, John Bunyan, and Mr. Hume. Casualty, or the connexion between cause and effect--remarkable in the portraits and busts of Bacon, Kant, Locke, Voltaire, Dr. Thomas Brown; and in the masks of Haydon, Brunel, Burke, Franklin, and Wilkie, where it is largely developed. In Pitt, and Sir J.E. Smith, it is moderate, and in the Charibs and New Hollanders, very deficient. * * * * * SONGS BY BARRY CORNWALL. PAST TIMES. Old Acquaintance, shall the nights You and I once talked together, Be forgot like common things,-- Like some dreary night that brings Naught save foul weather? We were young, when you and I Talked of golden things together,-- Of love and rhyme, of books and men: Ah! our hearts were buoyant _then_ As the wild-goose feather! Twenty years have fled, we know, Bringing care and changing weather; But hath th' heart no _backward_ flights, That we again may see those nights, And laugh together? Jove's eagle, soaring to the sun, Renews the past year's mouldering feather: Ah, why not you and I, then, soar From age to youth,--and dream once more Long nights together. THE STRANGER. A stranger came to a rich man's door. And smiled on his mighty feast; And away his brightest child he bore, And laid her toward the East.