The Mirror of Literature, Amusement, and Instruction. Volume 20, No. 566, September 15, 1832Various
History
The Mirror of Literature, Amusement, and Instruction. Volume 20, No. 566, September 15, 1832
Various
Popular literature -- Great Britain -- Periodicals
I could not abandon the Baroness and her children in such an hour; but I
must ever gratefully recollect the kind offers of asylum made to me by
my Belgian acquaintance, and for months, they said, had the battle been
lost. It is truly pitiable to see the wounded arriving on foot; a musket
reversed, or the ramrod, serving for a staff of support to the mutilated
frame, the unhappy soldier trailing along his wearied limbs, and perhaps
leading a more severely-wounded comrade, whose discoloured visages
declare their extreme suffering;--their uniforms either hanging in
shreds, or totally despoiled of them by those marauders who ravage a
field of battle in merciless avidity of plunder and murder. These brave
fellows, these steady warriors, so redoubtable a few hours since, are
now sunk into the helplessness of infancy, the feebleness of woman, over
whom man arrogates a power that may not be disputed, but whose solacing
influence in the hour of tribulation and sickness they are willing to
claim.
The Belgian females are in full activity, acting with noble benevolence.
They are running from door to door begging linen, and entreating that it
may be scraped for lint; others beg matrasses.
* * * * *
TRIBUTES TO GENIUS.
The Cuts represent unostentatious yet affectionate tributes to three of
the most illustrious names in literature and art: DANTE, and PETRARCH,
the celebrated Italian poets; and CANOVA, whose labours have all the
freshness and finish of yesterday's chisel. Lord Byron, whose enthusiasm
breathes and lives in words that "can never die," has enshrined these
memorials in the masterpiece of his genius. Associating Dante and
Petrarch with Boccaccio, he asks:
But where repose the all Etruscan three--
Dante and Petrarch, and scarce less than they,
The Bard of Prose, creative spirit! he
Of the Hundred Tales of Love--where did they lay
Their tones, distinguish'd from our common clay
In death as life? Are they resolved to dust,
And have their country's marbles naught to say?
Could not their quarries furnish forth one bust?
Did they not to her breast their filial earth entrust?[10]
[Illustration: (Dante's Tomb.)]
Dante was born at Florence in the year 1261. He fought in two battles,
and was fourteen times ambassador, and once prior of the republic.
Through one fatal error, he fell a victim to party persecution, which
ended in irrevocable banishment. His last resting-place was Ravenna,
where the persecution of his only patron is said to have caused the
poet's death. What an affecting record of gratitude! His last days at
Ravenna are thus referred to by an accomplished tourist:[11]
Public-domain text, read in full here on John Shaqi.
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