[5] Hist. of Whalley. In Strutt's view of Manners, we have an inventory of furniture in the house of Mr. Richard Fermor, ancestor of the Earl of Pomfret, at Easton in Northamptonshire, and another in that of Sir Adrian Foskewe. Both these houses appear to have been of the dimensions and arrangement mentioned. And even in houses of a more ample extent, the bi-section of the ground-plot by an entrance-passage, was, I believe, universal, and is a proof of antiquity. Haddon Hall and Penshurst still display this ancient arrangement, which has been altered in some old houses. About the reign of James I., or, perhaps, a little sooner, architects began to perceive the additional grandeur of entering the great hall at once. This apartment subsequently gave its name to the whole house.--See an interesting paper on Old English Halls, _Mirror_, vol. xviii. p. 92-108. [6] Hist. Middle Ages, vol. iii., p. 423.--The most remarkable fragment of early building which I have any where found mentioned is at a house in Berkshire, called Appleton, where there exists a sort of prodigy, an entrance-passage with circular arches in the Saxon style, which must probably be as old as the reign of Henry II. No other private house in England can, I presume, boast of such a monument of antiquity. It need scarcely be remarked, in conclusion, that the Hall at Norton Lees, as it appears to the reader, conveys but an imperfect idea of the ancient structure. The walls of the lower story entirely of stone, and the upper, stone and plaster intersected by wood, are original, as is probably the enriched gable, with the pinnacled ornament at its apex; beneath was originally a small bay window, which has been stopped up: the other gable, it is reasonable to conclude, once possessed similar enrichments. The chimneys are modern, since they are neither pyramidal in their terminations, as was the fashion of the 14th and 15th centuries, nor have they the long polygonal shafts of the Elizabethan and subsequent periods, which has caused chimneys to be characteristically termed "the wind-pipes of hospitality." The "Hall" would likewise appear to be divided into two tenements, which but ill assorts with its original appropriation; though we are not to consider these deviations as affecting the architectural character or identity. * * * * * OLIVER GOLDSMITH.