The annexed view is taken from the _Tete de Flandre_, a fortified port on the left bank of the river Scheldt, immediately opposite to the city, and now in the possession of the Dutch. The river here is a broad and noble stream, and at high water navigable for vessels of large tonnage. A short distance below the town the banks are elevated, like part of Millbank, near Vauxhall Bridge; and the situation has much the same character. The river is here about twice the width of the Thames at London Bridge, and it flows with great rapidity. Lieut.-Colonel Batty observes, "there is perhaps no city in the north of Europe which, on inspection, awakens greater interest" than Antwerp. It abounds in fine old buildings, which bear testimony to its former wealth and importance. The three most aspiring points in the View are--1. the Church of St. Paul, richly dight with pictures by Teniers, De Crayer, Quellyn, De Vos, Jordaens, &c.; 2. the tower of the Hotel de Ville, the whole facade of which is little short of 300 feet, a part of the front being cased with variegated marble, and ornamented with statues; 3. the lofty and richly-embellished Tower of the Cathedral of Notre Dame, forming the most striking object from whichever side we view the city. The interior is enriched with valuable paintings by Flemish masters; the height of the spire is stated at 460 feet.[4] The distance from the mouth of the Scheldt to Antwerp is usually reckoned to be sixty-two miles, allowing for the bending of the river. At Lillo, an important fortress, the appearance of the city of Antwerp becomes an interesting object, and the more imposing the nearer the traveller approaches along the last reach of the Scheldt. Antwerp has been the birthplace of many learned men--as, Ortelius, an eminent mathematician and antiquary of the sixteenth century, and the friend of our Camden; Gorleus, a celebrated medallist, of the same period; Andrew Schott, a learned Jesuit, and the friend of Scaliger; Lewis Nonnius, a distinguished physician and erudite scholar, born early in the seventeenth century. Few places have produced so many painters of merit, as will be seen at page 380, by a well-timed communication from our early correspondent P.T.W. [1] Copied by permission of the proprietors and publishers, Messrs. Moon, Boys, and Graves.