The Mirror of Literature, Amusement, and Instruction. Volume 20, No. 582, December 22, 1832 — John Shaqi
The Mirror of Literature, Amusement, and Instruction. Volume 20, No. 582, December 22, 1832Various
History
The Mirror of Literature, Amusement, and Instruction. Volume 20, No. 582, December 22, 1832
Various
Popular literature -- Great Britain -- Periodicals
At Selenico, in Dalmatia, according to Fortis; they elect a king at
Christmas, whose reign lasts only a fortnight; but notwithstanding the
short duration of his authority, he enjoys several prerogatives of
sovereignty: such, for example, as that of keeping the keys of the town,
of having a distinguished place in the cathedral, and of deciding upon
all the difficulties or disputes which arise among those who compose his
court. The town is obliged to provide him with a house suitable to the
dignity of his elevated situation. When he leaves his house, he is
always compelled to wear a crown of wheat-ears, and he cannot appear
in public without a robe of purple or scarlet cloth, and surrounded
by a great number of officers. The governor, the bishops, and other
dignitaries, are obliged to give him a feast; and all who meet him must
salute him with respect. When the fortnight is at an end, the king quits
his palace, strips off his crown and purple, dismisses his court, and
returns to his hovel. For a length of time this pantomimical king was
chosen from amongst the nobles, but at present it has devolved on the
lowest of the people.
* * * * *
NEW BOOKS.
* * * * *
THE LITERARY SOUVENIR, FOR 1833,
[Is, in our estimation, a splendid failure. It lacks the variety which
the _Annual_ should possess for a family of readers; and its
sameness is, moreover, of the saddest character in the whole region of
romance. The stories are long, and lazily told; and they overflow with
the most lugubrious monotony. There is scarcely a relief throughout the
volume, from Wordsworth's "majestic sonnet" on Sir Walter Scott, to
Autumn Flowers, by Agnes Strickland; we travel from one end to the
other, and all is lead and leaden--dull, heavy, and sad, as old Burton
could wish; and full of moping melancholy, unenlivened by quaintness, or
humour of any cast. Not that we mean to condemn the pieces individually;
but, collectively, they are too much in the same vein: the Editor has
studied too closely his text-motto:
"Fairy tale to lull the heir,
Goblin grim the maids to scare."
It is all shade, without a gleam of sunshine, if we except two or three
of the most trifling of the papers. The best tale in the volume is the
Marsh Maiden, by Leigh Ritchie; next is the Jacobite Exile and his
Hound: Retrospections of Secundus Parnell, are an infliction upon the
reader; and these, with two _mediocre_ tales, and a sketch or two,
make up the prose contents. The poetry has greater merit, though almost
in one unvaried strain. Mr. Watts has contributed but one lyric, and
Mrs. Watts a stirring ballad of Spanish revenge; Mary Howitt has
contributed a fairy ballad, pretty enough; and the Sin of Earl Walter, a
tale of olden popish times in England, of some 60 or 70 verses. We quote
two specimens from the poetry:]
SONNET ON SIR WALTER SCOTT'S QUITTING ABBOTSFORD FOR NAPLES.
_By William Wordsworth._
Public-domain text, read in full here on John Shaqi.
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