The Mirror of Taste, and Dramatic Censor, Vol. I, No. 1, January 1810
General
The Mirror of Taste, and Dramatic Censor, Vol. I, No. 1, January 1810
Drama -- Periodicals; Theater -- Periodicals
It happened that Mr. John Kemble the chief actor, and once the acting
manager of Drury Lane theatre, had in the year 1802, a misunderstanding
with the proprietors, in consequence of which he left it, and visited
the continent, leaving the first line of character very inadequately
filled. Intelligence of this secession having reached America in the
latter end of 1802, Mr. Cooper, who was invited, as it is said, by the
proprietors of Drury Lane, to take Mr. Kemble's place, if his reception
by the town would warrant them in retaining him, crossed the Atlantic,
and once more appeared in London. His success was by no means equal to
the expectations of his New-York friends. Those however who were better
acquainted with the general subject and the state of the stage in
England, who were aware how much actors of the greatest talents profit
by constantly playing with men of equal standing with themselves, and
how much they lose by the want of great models either to emulate or
follow, were far from being so sanguine in their expectations. By the
London audience he was handsomely received, and greeted with the
applause and kindness due to a stranger of respectable powers: but in
efficient benefit to the house and to himself he failed; wherefore,
passing on to Liverpool, he played a few nights in that town with great
applause, then took shipping and returned to America, where he was
received with open arms.
After his departure the theatre of New-York fell into a state of decline
for want of a proper manager and proper company. The deceased Hodgkinson
having been joined in the management of the Charleston theatre, and
brought along with him some of the best performers, it was resolved by
the proprietors of the New-York theatre, to give it upon encouraging
terms to a manager of sufficient qualifications to conduct the business
of it successfully. Hodgkinson was elected to the management of it
almost unanimously; but soon after died of the yellow fever. Mr. Cooper
then undertook it--bought the theatre at a vast expense--improved and
embellished the house, and was amply remunerated by the immense receipts
of the first season; at the end of which he sold out his property in it
to another gentleman, who we believe now owns and manages it.
Public-domain text, read in full here on John Shaqi.
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