The Mirror of Taste, and Dramatic Censor, Vol. I, No. 3, March 1810
History
The Mirror of Taste, and Dramatic Censor, Vol. I, No. 3, March 1810
Drama -- Periodicals; Theater -- Periodicals
While the boy was drinking in, with rapture, the applause bestowed upon
his musical talents, his master earnestly deprecated, and violently
opposed the cultivation of them. In the contentions between this
applause and that opposition--between the charming flattery of the one,
and the mortifying severity of the other, the boy took that side which
it was natural for him to prefer; and genius, the parent of courage and
enterprise, suggested to him from time to time a variety of expedients
for baffling all his master’s designs, and eluding his sharpest
vigilance. He collected around him a number of boys of about his own
age, who by a weekly subscription which they contrived to collect,
rented a cellar in an obscure retired alley--provided themselves with
musical instruments, and, with paper decorations and patchwork, formed a
little theatre, whither they resorted, every moment they could snatch by
stealth or pretext, from their parents’ and masters’ control, in order
privately to practise music and dancing, to spout and to perform (in
their way) plays, operas and farces. At this time the whole amount of
the schooling which the boy had received, barely enabled him to read a
chapter in the testament, to scrawl a very indifferent manuscript, and
to form an indistinct notion of the two or three first rules of vulgar
arithmetic. Such was the cunning and address with which these youngsters
_managed_ their theatre, that they enjoyed it several months without THE
OLD ONES being able to discover where they wasted their time. One answer
always served JOHN when questioned by his master--“Where have you been
miching now, you young rascal?”--“NOWHERE sir!” This NOWHERE (so very
indefinite) the master construed into _anywhere_ in the streets, playing
at marbles, top, or chuck-farthing; but of the true place he had not the
most distant conception. After some time they began to apprehend that
their retreat would be discovered either by accident or the vigilance of
the old folks, and this had the effect of increasing their caution and
sharpening their ingenuity and cunning. They affected to loiter and play
in distant streets, and courted detection there, in order to elude any
suspicions that might lead to a discovery of their playhouse; and as
they never ventured to indulge their ambition by figuring away before
any but their own little society, and were the only auditors, as well as
the actors of their pieces, they calculated upon being able to carry on
their scheme till time should set them free from parental control;
provided there should be no treachery among themselves. However, their
confidence in one another was great. “Of one only,” said Hodgkinson, to
this writer, “we entertained the least doubt, and you will smile to hear
the cause of it: it was, because he was the son of an attorney--he was
bottom however to the last, and is now as worthy a man as any in
society.”
Public-domain text, read in full here on John Shaqi.
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