The Mirror of Taste, and Dramatic Censor, Vol. I, No. 3, March 1810
History
The Mirror of Taste, and Dramatic Censor, Vol. I, No. 3, March 1810
Drama -- Periodicals; Theater -- Periodicals
That crownpiece John had put into the hands of his mother, to keep.
Having taken his resolution to leave Manchester, and seek his fortune,
he went home, took the crown piece from the place where it was
deposited, and getting up before break of day next morning, put on his
best clothes, packed up a shirt, and took leave of Manchester. His first
notion was to go to sea, to which end he took the road to Bristol,
knowing that his master would, by means of the constant intercourse
between Manchester and Liverpool, readily detect him if he went that
road--an event more terrible to him than death; the penalty for runaway
apprentices being very severe and disgraceful. It was on this occasion
he dropped the name of MEADOWCROFT, and adopted the much less elegant
one, of Hodgkinson.
Here the reader will naturally pause, in order to reflect upon the very
extraordinary picture now presented to him. A boy of little more than
fourteen years of age, unschooled; little better than illiterate;
destitute of useful knowledge; cut off from parents, friends and
connexions; and without any visible means of livelihood, rushing forward
into a world of strangers, undismayed at the prospect before him; “full
of life, and hope, and joy,” and, like the lark of a summer’s morning,
caroling as he winged his way. Any reader who has felt the fears and
anxieties of a parent when the dear boy of his heart has been for a
short time missing, and remembers the pangs of doubt, the apprehension,
the painful forebodings, nay, the despair itself into which an absence
protracted beyond custom, and not to be accounted for, has thrown him,
will be able, from a retrospect of his reflections on such an occasion,
to imagine what must have been the danger of this boy, and what the
courage he must have had to encounter it--and will, while pondering with
admiration upon his fortitude and manliness, tremble for his fate. This
writer once asked him if he was not horror-struck when he found himself
in Bristol separated from all his friends, and well remembers his
answer.--“No,” said he, “Though I was little instructed and no
book-scholar, I was not ignorant. Young as I was, I had formed opinions
of life from its pictures in plays and farces, and taken full measure of
my situation. I knew that I had nothing to expect in Manchester, or any
other place, but from my own exertions, and therefore thought that the
sooner I set to work the better. Those whom you call my friends, could
do little for me if they were ever so well disposed, and I cannot say
much for their disposition. I looked upon them and their purposes
respecting me, rather as clogs and fetters, than as aids; and I am
convinced I was right. I had no fear, because I had health and strength
to do several things to earn my bread, (I could sing if I could do
nothing else) and never once lost sight of the persuasion that I should
one time or other be something better than a pot-boy or a mechanic. Nor
Public-domain text, read in full here on John Shaqi.
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