“Macbeth by Mr. Kemble so frequently the subject of remark, and often of well-earned eulogy, affords little occasion for notice at this time; but concerning “his NEW partner of greatness”, as there was much to be admired, it is fit that something should be said. A just personification of lady Macbeth is perhaps the most difficult and dangerous undertaking an actress can enter upon: that silent but efficient aid, derived from the contagion of the gentler affections, from pity, sorrow, love; or even from the turbulent emotions of the mind, from anger, jealousy, revenge, “she must not look to have” in the sympathetic bosoms of hearers or spectators; her only operant power is terror, a frigid and unsocial passion, and hence perhaps it is that no actress, at least in modern times, has been found fully adequate to the task; the according testimony indeed of the best living or recent opinions may warrant a belief that Mrs. Pritchard displayed successfully the portraiture of this singular character; but when we hear a performer of our day, whom the public has long and deservedly applauded, extolled as a perfect representative of lady Macbeth, and find this part held forth and distinguished as the pattern of her excellence, true criticism must reject the fallacy of the assertion, and the injustice it imposes upon that great actress herself, who in many other situations of the drama, sustains an eminence above all rivalship; physical defects may often be lessened or concealed; but they will sometimes be too stubborn for the force of art, and thus, in the language of venal compliment, the poet said “Pritchard’s genteel and Garrick’s six feet high” it cannot be denied that the former was eclipsed by the easy elegance of Mrs. Woffington, and the latter overborne by the majestic stature and deportment of Barry. The first appearance of Miss Smith last night in lady Macbeth, could not fail to conjure up, perversely to our mental view, the comparative superiority of Mrs. Siddons’s person; the effect was strong, but it was momentary; a delicate yet powerful and distinct varied voice, a pure, correct, and exemplary enunciation, guided at once by a sound understanding, a correct ear, and a discriminating taste, a frame and expression of features not inferior to that of Mrs. Siddons herself, with action always just and frequently commanding, soon led us to the forgetfulness of her moderate stature, though oppressed, incidentally, by the towering dignity of her lord: It is the duty of an artist to contemplate the works of a renowned predecessor or contemporary with unaffected reverence, but not with servile devotion, and Miss Smith occasionally varied, and with advantage, from the model that was before her. When Macbeth, incited to the murder of Duncan, interposes--“if we should fail,” Mrs. Siddons with cool promptitude replies “we fail.” The punctuation indeed was suggested by Mr. Steevens; but it appears much too colloquially familiar for the temper and