"W. then sat down, but he overflowed so with oddity, that business was out of the question. Every three minutes produced an explosion of the most extravagant kind--often full of humour, sometimes witty, always coarse. It was in vain that my friend now urged, and now insinuated the subject of the stage; Whiteley baffled him with a joke or a jeer, or a story--and sometimes with a transition so extreme, rapid, and unconnected, that it was impossible to do any thing with him. My singing was adverted to. "Ay," said Whiteley, "I suspected he was one of your squallers; I thought from his chalky face and lank carcase that he was of the Italian breed, and that his story would end in a song. Did you ever see Signor _Tenducci_, boy?" "No sir." "No matter, you are not the worse for that; but I have nothing to do with _Italianos_. I have none but men and women in my company." I then ventured to advert to the English opera and hinted at my old favourite The Padlock. "Why if I were disposed to try you, there is nothing in the Padlock that you could play and I could give you. The part of Ursula is filled by the same old lady who has played it for years in my theatres." The torrent could not be resisted, so we swam along with it, and laughed heartily. "You are too bad Jemmy Whiteley," said Mr. Mills, "by my soul, you're too bad." "Oh I am a very bad fellow to be sure; you'll talk on the other side of your cheek by and by, when you are swallowing my old ale and red port at three and six pence a bottle."