The Mirror of Taste, and Dramatic Censor, Vol. I, No. 5, May 1810
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The Mirror of Taste, and Dramatic Censor, Vol. I, No. 5, May 1810
Drama -- Periodicals; Theater -- Periodicals
His person was of the middle size, his voice clear and audible; his
natural countenance grave and sober; but the moment he spoke, the
settled seriousness of his features was utterly discharged, and a dry,
drolling, or laughing levity took such full possession of him, that I
can only refer the idea of him to your imagination. In some of his low
characters, that became it, he had a shuffling shamble in his gait, with
so contented an ignorance in his aspect, and an awkward absurdity in his
gesture, that had you not known him, you could not have believed, that
naturally he could have had a grain of common sense. In a word, I am
tempted to sum up the character of Nokes, as a comedian, in a parody of
what Shakspeare's _Mark Antony_ says of _Brutus_ as a hero.
His life was laughter, and the ludicrous
So mix'd, in him, that nature might stand up,
And say to all the world--this was an _actor_.
MISCELLANY.
THEOBALDUS SECUNDUS,
OR
SHAKSPEARE AS HE SHOULD BE.
NO. IV.
_Hamlet Prince of Denmark, continued._
Latin and Greek are the only tongues in which departed spirits can be
addressed, for this reason they are denominated the _dead_ languages.
The nonappearance of these supernatural beings in the present day, may
be fairly ascribed to the decay of the learned languages. COBBET, with
all his volubility, has not a word to throw at a ghost. Johnson says:
When Learning's triumph o'er her barbarous foes,
First rear'd the stage, immortal Shakspeare rose.
This is converting learning into a bricklayer, and would have come with
a better grace from Ben Jonson than from Sam. But however that may be,
under such an architect, ghosts would naturally be enrolled in the
company. Dr. Farmer may say what he pleases, but I firmly believe
Shakspeare had Latin enough to talk to his own ghosts; though I doubt
whether I can express the same belief as to certain modern writers, who,
by reviving ghosts to squeal and gibber on the London stages, have taken
the same liberties as Shakspeare, without taking the same talents--"we
have no cold beef sir," said the landlady at Glastonbury to a hungry
traveller; "but we have excellent mustard!" All this however is foreign
to the Prince of Denmark,
_Horatio._ ----I have heard,
The cock, that is the trumpet to the morn,
Doth with his lofty and shrill-sounding throat
Awake the god of day.
Public-domain text, read in full here on John Shaqi.
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