The Mirror of Taste, and Dramatic Censor, Vol. I, No. 6, June 1810
History
The Mirror of Taste, and Dramatic Censor, Vol. I, No. 6, June 1810
Drama -- Periodicals; Theater -- Periodicals
Fox and his friend were severely beaten, and bore the marks of it; but
what were the reflections of poor Hodgkinson when he learned that the
very person to whom he had said "D--n you, you cowardly rascal, and all
your d----d breed," was no other than that very duke who has since cut
so conspicuous a figure in the annals of gallantry with Mrs. CLARK, of
meretricious notoriety, or in other words the duke of York himself. By
means which shall hereafter be related, the interest of the royal family
had been engaged for Hodgkinson, and even the first personage of it had
agreed to do him a signal favour, on his first appearance in London.
What then must have been his mortification and regret to think that by
one rash expression he had not only lost those bright prospects, but
incurred the censure and abhorrence of every thinking man in the
kingdom; since, however censurable the duke of York might be, it
afforded no pretence for a general expression of disrespect to the whole
of his family.
In the desperate state of mind which succeeded these reflections,
Hodgkinson saw but one measure that was becoming him, or indeed safe for
him to take; and he resolved to adopt it without delay--that was, to
leave Brighton and live in retirement till the whole of the affair, with
his total ignorance of the identity of the person he had insulted,
should be universally understood, and his innocence be made apparent. To
this end he directly went to the manager of the playhouse, laid the
whole affair before him, and pointed out the absolute necessity there
was for changing the play and giving him up his bond of engagement. "The
prince of Wales," added he, "is omnipotent in Brighton; he is so beloved
and admired here, that his will is the law of every one's conduct, the
town will of course enter with violence into the resentment which his
highness will justly feel, and therefore for me to appear before them
after what has happened, will inevitably produce a riot which will
probably end in the destruction of the house. It would be considered by
the people, and very properly too, as an insult to them, for me to come
forward in such circumstances."
Hodgkinson's remonstrances had no effect upon the manager, who
peremptorily insisted upon his appearance in the character of Belcour,
be the consequences what they might. This, Hodgkinson always considered
as the most trying moment of his existence; and it was not until the
manager swore that he would have him arrested before he could leave the
county if he did not perform his engagement, that he could be prevailed
upon to stand his ground, and face the storm that threatened him. The
affair had got abroad, and when evening came, the house was uncommonly
full, partly owing to the attractive circumstance of a celebrated
actor's appearing among them, for the first time, and partly to the
curiosity of individuals to see what would be done to the new performer
for the part he had played that morning on the Stein.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account