The Mirror of Taste, and Dramatic Censor, Vol. I, No. 6, June 1810
History
The Mirror of Taste, and Dramatic Censor, Vol. I, No. 6, June 1810
Drama -- Periodicals; Theater -- Periodicals
blunt, illiterate, and gallant. But it is the character of the hero
Taylor which is drawn and sustained with the most art and nature. In the
first place he is brave, although some have contradicted this, by saying
that he did not go to sea voluntarily but was pressed, and then ran away
the night before the engagement. But I will not believe he was a coward:
no; let the critics remember that Ulysses did not go voluntarily to the
Trojan war, and was always willing to escape when he could; and yet
surely he was a hero. Thus have I proved the bravery of Taylor. He had
also other requisites for a hero: he was amorous, like Achilles and
AEneas, and he deserted his love like the latter. Then he was brisk and
gay. I do not remember any hero exactly of this character. To be sure,
Achilles laughs once in the Iliad, and AEneas in the AEneid; but it does
not appear to have been the general character of either of them, and
especially of the latter, who was a whimpering sort of hero. It does not
appear that Taylor resembled AEneas in piety; but that is a silly kind of
antiquated virtue, of which heroes of modern days would be ashamed, and
which our poet has most judiciously omitted in the catalogue of Billy's
qualities. Again, he resembles the heroes of antiquity in his untimely
end, and in the cause of it--a woman. Thus Achilles was shot in the
heel; Ulysses was killed, though not very prematurely, by his son; AEneas
was drowned like a dog in a ditch; and Alexander was poisoned. Then as
to the cause: Sampson (though to be sure the polite reader will call
that fabulous, and think me a fool for quoting such an old wife's tale)
owed his death to a woman; Agamemnon was even killed by a woman;
Hippolitus lost his life by a woman; so did Bellerophon; and Antony lost
the world and his life too by a woman. Upon the whole Billy's is a mixed
sort of character, composed of good and bad qualities, in which,
according to the established character of heroes, the bad predominate.
Thus, in the character of Achilles, it would be difficult to find a
single good quality; he is "impiger, iracundus, inexorabilis, acer," and
a great deal more of the same sort. AEneas is indeed pious: but then he
is a perfidious deserter of an injured lady; he invades a country where
he has no right, and kills the man who has the audacity to oppose the
usurper of his own throne, and the ravisher of his own wife. And as to
Alexander, he was a mere brute: he overthrew cities, as children
overthrow houses made of cards, for his mere amusement; and, like the
same children, wept when he had no more to knock down; he killed some
millions of men, for the same reason that country 'squires shoot
swallows, for exercise, and because they have nothing else to do: and,
in the time of peace and conviviality, he slew two of his best friends,
merely to keep his hand in practice. Compared to these heroes, Billy is
a perfect saint: and indeed I have often thought that he is too good for
Public-domain text, read in full here on John Shaqi.
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