The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and Beauty — John Shaqi
The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and BeautyLady of distinction, active 19th century
History
The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and Beauty
Lady of distinction, active 19th century
Beauty, Personal; Clothing and dress -- Great Britain -- History -- 19th century; Etiquette -- Great Britain
Let me show you, my fair friends, by conducting you into the Pantheon
of ancient Rome, the images of yourselves at the different stages of
your lives. First, behold that lovely Hebe; her robes are like the
air, her motion is on the zephyr’s wing: that you may be till you are
twenty. Then comes the beautiful Diana. The chaste dignity of the pure
intelligence within pervades the whole form, and the very drapery which
enfolds it harmonizes with the modest elegance, the buoyant health,
which gives elasticity and grace to every limb: here, then, you see
yourselves from twenty to thirty. At that majestic age, when the woman
of mind looks round upon the world; back on the events which have past,
and calmly forward to those which may be to come; all within ought
to be settled on the firm basis of religion and sound judgment; and
either as a Juno or a Minerva she stands forth in the power of beauty
and of wisdom. At this period she lays aside the flowers of youth, and
arrays herself in the majesty of sobriety, or in the grandeur of simple
magnificence.
Contradictory as the two last terms may at first appear, they are
consistent; and a glance on the works of Phidias, and of his best
imitators, will sufficiently prove their beautiful union. Long is the
reign of this commanding epoch of a woman’s age; for from thirty to
fifty she may most respectably maintain her station on this throne
of matron excellence. But at that period, when she has numbered half
a century, then it becomes her to throw aside “the wimple and the
crisping-iron, the ornament of silver, and the ornament of gold,” and
gracefully acknowledging her entrance into the vale of years, to wrap
herself in her mantle of gray, and move gently down till she passes
through its extremest bourn to the mansions of immortality.
Ah! who is there amongst us, who, having once viewed the reality of
this picture, would exchange such blessed relinquishment of the world
and all its vanities, for the bolstered back, enamelled cheek, and
be-wigged head of a modern old woman, just trembling on the verge of
the grave, and yet a candidate for the flattery of men?
It has been most wisely said, (and it would be well if the waning
queens of beauty would adopt the reflection,) that there is a _time_
for _everything_! We may add, that there is a time to be young, a time
to be old; a time to be loved, a time to be revered; a time to seek
life, and a time to be ready to lay it down.
She who best knows how to fashion herself to these inevitable changes
is the only truly, only lastingly fair. Her beauty is in the mind,
and shown in action; and when men cease to admire the woman, they do
better, they revere the saint.
ON THE PECULIARITIES OF DRESS, WITH REFERENCE TO THE STATION OF THE
WEARER.
“Dress drains our cellar dry,
And keeps our larder lean; puts out our fires,
And introduces hunger, frost, and wo,
Where peace and hospitality might reign.”
COWPER.
Public-domain text, read in full here on John Shaqi.
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