The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and BeautyLady of distinction, active 19th century
History
The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and Beauty
Lady of distinction, active 19th century
Beauty, Personal; Clothing and dress -- Great Britain -- History -- 19th century; Etiquette -- Great Britain
There are few things in which our sex can discover more taste than in
the choice of the apparel which may best accord with their several
styles of figures and features; but we frequently see the direct
opposite of good judgment in their selections, and behold between the
person and the attire a complete and laughable incongruity.
Some women will actually disguise and disfigure themselves, rather
than not appear in the prevailing fashion, which, though advantageous
to one character of face, may have the direct contrary effect with
another. I hinted at this in the earlier part of this dissertation; now
I come closer to my subject, intending to enter into a minute detail
of what ought or ought not to be worn by women of different moulds and
complexions.
If Daphne have the features of a Siddons, and Amaryllis those of a
Jordan, the style which agrees with the one must ill accord with the
other. The like harmony must be maintained between the complexion
and the colors we wear; for it is in these minutiæ which, like the
nice and almost imperceptible touches of the ingenious artist, produce
a complete and faultless whole. That a handsome woman may disfigure
herself by an injudicious choice or disposition of her attire; and a
plain one counteract the errors of nature, so as to render herself
at least agreeable, almost every experienced observer has witnessed.
We may therefore conclude, that beauty with a bad taste is far less
desirable than a good taste without beauty.
“What an awkward creature is that!” said a gentleman to me the other
evening at a supper, and pointing to a _slatternly_ beauty who sat
opposite, with her chin nearly reposing on her bosom, and her shoulders
drawn up almost to her ears. “Yonder is a very elegant woman!” observed
he, directing my attention to a lady who, critically considered, was
rather ordinary; but by her judicious style of dress, her unstudied
graces of deportment, claimed universal admiration.
To support my arguments with those of a lady whose taste is best
evinced by her own personal elegance, I shall give you a short extract
from a little tract of her’s, which, like the divine Psyché of Mrs.
Tighe, has been only permitted to meet the eyes of a favored few.
Public-domain text, read in full here on John Shaqi.
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