The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and BeautyLady of distinction, active 19th century
History
The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and Beauty
Lady of distinction, active 19th century
Beauty, Personal; Clothing and dress -- Great Britain -- History -- 19th century; Etiquette -- Great Britain
Amidst the variety of materials with which women decorate their
persons, there is not one that requires greater discrimination in the
use than those articles of jewelry which we denominate trinkets. Here
good taste, the general regulatrix, now resumes her sway. The blind
directress of the luxuriant imagination gives grace to solidity, and
consequence to trifles. Her magic spirit breathes in the laurels of
the hero, dwells on the lip of oratory, and sparkles in the gem that
decorates the fair!
To women of the most exalted as well as of the more humble ranks, we
recommend a moderate, rather than a profuse, display of conspicuous
and showy ornaments. A well-educated taste ought to open the eyes
of a woman to be a tolerably correct judge of the perfections or
imperfections of her own person; and by that judgment she ought to
regulate the adoption or rejection of striking decoration.
It is well to remind my youthful reader that she can never learn these
truths (when they are on the defective side) but from the decisions
of her own impartial mind. Few women, much less men, would venture to
say to an improperly dressed young lady,--“Madam, your fingers are two
clumsy to wear with advantage that brilliant ring;--your neck and arms
are two meagre, discolored, or coarse, to adopt the pearl bracelet
or necklace; unless, indeed, you soften the contrast by putting a
lace shirt and long sleeves between your skin and the pearls.” These
observations would place the too frank adviser in a similar situation
with that of Gil Blas when correcting the manuscripts of the conceited
_Prelate of Granada_;--and, therefore, we cannot expect that any friend
should run the risk of incurring our resentment, when they might retain
our favor by only permitting us to make ourselves as ridiculous as we
please.
Let me then, in the light of an _author_, who cannot be supposed,
in a general address, to mean any individual personal reflections,
admonish my readers, one and all, not to neglect composing their
complexions with the hues and brilliancy of the gems offered to them to
wear. Clear brunettes shine with the greatest lustre when they adopt
pearls, diamonds, topazes, and bright amber. The fair beauty may also
wear all these with advantage, while she exclusively claims as her
own, emeralds, garnets, amethysts, rubies, onyxes, &c. &c. Cornelian,
coral, and jet, may be worn by either; but certainly produce the most
pleasing effect on the rose and lily complexion.
Ornaments and trimmings of silver are to be preferred to gold, when
intended for the fair beauty. The white lustre of the first of these
costly metals harmonizes better with delicacy of skin than the glaring
effulgence of the gold. By a parity of reasoning, gold agrees better
with the brunette, as its yellow and flaming hue lights up the fire of
her eyes, and exhibits her complexion in the brightest contrast.
Public-domain text, read in full here on John Shaqi.
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