The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and BeautyLady of distinction, active 19th century
History
The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and Beauty
Lady of distinction, active 19th century
Beauty, Personal; Clothing and dress -- Great Britain -- History -- 19th century; Etiquette -- Great Britain
Yet such Virginias are our Virginias! and to see a modest, abashed,
retiring, blushing girl enter one of our assemblies, is as uncommon a
sight as now and then an embassy from a foreign land. The modern taste
for exhibitions of all kinds is the chief source of this depravity;
a girl is no longer taught to dance that she may move easily in the
occasional festivities of her neighborhood, and enjoy the graceful
exercise of a birth-day or a race ball, without annoying the movements
of her companions. No! these are not sufficient: she takes her lessons
of the _corps de ballet_, that she may present herself in the ball-room
or on a stage; and while the motions of her limbs, and the exposure
of her person, scandalize every discreet matron present, she believes
herself the object of general admiration, the very _ne plus ultra_ of
the art. In like manner, her musical talents are cultivated. She does
not learn to compose, with her sweet lullaby, the unquiet hours of
old age or of sickness, to rest and sleep: enough for her relations,
father, brothers, husband, that she practises all day the crude and
disagreeable parts of her lessons. It is for the guest, the gay
assembly, the concert of _amateurs_, that she reserves her harmonies;
and to them she sings and plays till she believes _herself_ the tenth
muse, and _them_ her adorers.
Can we be surprised that from such an education should be produced the
vain, the conceited, the presumptuous, the impudent?
To check this growing evil, by showing the young candidate for
admiration what is “woman’s best knowledge and her praise;” to show her
what is indeed the proper, the graceful, the winning deportment, is the
design of these few following pages; and I trust that my young reader
will receive them as the admonition of a tender and experienced parent,
and not allow “a mother’s precepts to be vain!”
Having laid it down as a first principle, that no demeanor, whether
in a princess or a country girl, can be becoming that is not grounded
in _feminine delicacy_, I shall proceed to show, that a different
deportment is expected from different persons. Certain characteristics
of persons are suited to certain styles of manner; and also the same
demeanor does not agree as well with the steward’s daughter as the
squire’s bride.
As in a former chapter I have particularized the dresses which are
adapted to the gay and the grave, so in the next I propose pointing out
the appropriate miens which belong to the various degrees of beauty and
classes of society.
PECULIARITIES IN CARRIAGE AND DEMEANOR.
“By her graceful walk, the Queen of Love is known.”
VIRGIL.
As order is the beautiful harmonizer of the universe, so consistency is
the graceful combiner of all that is in woman to perfection.
Public-domain text, read in full here on John Shaqi.
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