The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and BeautyLady of distinction, active 19th century
History
The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and Beauty
Lady of distinction, active 19th century
Beauty, Personal; Clothing and dress -- Great Britain -- History -- 19th century; Etiquette -- Great Britain
The woman whose figure bears nature’s own stamp of majesty, is
generally of a stately make; her person is squarer, and has more of
_embonpoint_ than the foregoing. The very muscles of her neck are so
formed as to show their adaptation to an erect posture. There is a
sort of loftiness in the natural movement of her head, in the high
swell of her expansive bosom. The step of this woman should be grave
and firm: her motions few and commanding; and the carriage of her
head and person erect and steady. An excess in stateliness could not
have any worse effect on her, than perverting the majesty of nature
into the haughtiness of art. We might admire or revere the first; the
last we would probably resent and detest. The dignified beauty must
therefore beware of overstraining the natural bent of her character: it
is like the bombast of exalted language which never fails to lose its
aim, and engender disgust. We might laugh at a delicate girl, so far
exaggerating the pliancy of her form and ease of manners, as to twist
herself into the thousand antics of a Columbine: she aims at pleasing
us, and though she chooses the wrong method, we will not frown, but
only smile at the ridiculous exhibition. But when a majestic fair one
presumes to arrogate an undue consequence in her air, it is not to
gratify our senses that she assumes the extraordinary diadem: and,
irritated at the contempt her greatness would wish to throw upon us
inferior personages, we treat her like an usurper; and, armed with a
sense of injustice, we determine to pull her at once from her throne.
The easy, graceful air, we see, belongs exclusively to the slender
beauty, and the moderated majestic mien to a greater _embonpoint_.
There is a race of women whose persons have no determined character.
These must regulate and adopt their demeanors according to the degrees
in which they approach the two before-mentioned classes. But in all
cases, let it never be forgotten, that a too faint copy of a model is
better than an overcharged one. Excess is always bad. Moderation never
offends. By falling easily into the degree of undulating grace, or the
dignified demeanor which suits your character, you merely put on the
robe which nature designed, and the habit will be fit and becoming.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account