The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and BeautyLady of distinction, active 19th century
History
The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and Beauty
Lady of distinction, active 19th century
Beauty, Personal; Clothing and dress -- Great Britain -- History -- 19th century; Etiquette -- Great Britain
But to give it in his own words: “After the transports of our first
salute,” said he, “were over, I could not avoid running my eye over
her whole appearance. Her gown was of cambric, cut short before, in
order to discover a high-heeled shoe, which was buckled almost at the
toe. Her cap consisted of a few bits of cambric, and flowers of painted
paper stuck on one side of her head. Her bosom, that had felt no hand
but the hand of time these twenty years, rose, suing to be pressed. I
could, indeed, have wished her more than a handkerchief of Paris net,
to shade her beauties; for, as Tasso says of the rose-bud, ‘_Quanto si
nostra men, tanto e pin bella_.’ A female breast is generally thought
most beautiful as it is more sparingly discovered.
“As my cousin had not put on all this finery for nothing, she was
at that time sallying out to the Park, where I had overtaken her.
Perceiving, however, that I had on my best wig, she offered, if I would
squire her there, to send home the footman. Though I trembled for our
reception in public, yet I could not, with any civility, refuse; so,
to be as gallant as possible, I took her hand in my arm, and thus we
marched on together.
“When we made our entry at the Park, two antiquated figures, so polite
and so tender, soon attracted the eyes of the company. As we made our
way among the crowds, who were out to show their finery as well as we,
wherever we came, I perceived we brought good humor with us. The polite
could not forbear smiling, and the vulgar burst out into a horse-laugh
at our grotesque figures. Cousin Hannah, who was perfectly conscious of
the rectitude of her own appearance, attributed all this mirth to the
oddity of mine; while I as cordially placed the whole to her account.
Thus, from being two of the best-natured creatures alive, before we
got half way up the Mall, we both began to grow peevish, and like two
mice on a string, endeavored to revenge the impertinence of others
upon ourselves. ‘I am amazed, cousin Jeffery,’ says Miss, ‘that I can
never get you to dress like a Christian. I knew we should have the
eyes of the Park upon us, with your great wig, so frizzled, and yet so
beggarly, and your monstrous muff. I hate those odious muffs.’ I could
have patiently borne a criticism on all the rest of my equipage; but
as I had always a peculiar veneration for my muff, I could not forbear
being piqued a little; and throwing my eyes with a spiteful air on her
bosom, ‘I could heartily wish, madam,’ replied I, ‘that, for your sake,
my muff was cut into a tippet.’
“As my cousin, by this time, was grown heartily ashamed of her
gentleman usher, and as I was never very fond of any kind of exhibition
myself, it was mutually agreed to retire for a while to one of the
seats, and, from that retreat, remark on others as freely as they had
remarked on us.
Public-domain text, read in full here on John Shaqi.
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