The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and BeautyLady of distinction, active 19th century
History
The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and Beauty
Lady of distinction, active 19th century
Beauty, Personal; Clothing and dress -- Great Britain -- History -- 19th century; Etiquette -- Great Britain
But, to confess the truth, I do not find they have greater aversion to
fine clothes than the women of any other country whatsoever. I cannot
fancy that a shopkeeper’s wife in Cheapside has a greater tenderness
for the fortune of her husband, than a citizen’s wife in Paris; or
that miss in a boarding-school is more an economist in dress than
mademoiselle in a nunnery.
Although Paris may be accounted the soil in which almost every fashion
takes its rise, its influence is never so general there as with us.
They study there the happy method of uniting grace and fashion, and
never excuse a woman for being awkwardly dressed, by saying her clothes
are in the mode. A Frenchwoman is a perfect architect in dress; she
never, with Gothic ignorance, mixes the orders; she never tricks out
a squabby Doric shape with Corinthian finery; or, to speak without
metaphor, she conforms to general fashion only when it happens not to
be repugnant to private beauty.
The English ladies, on the contrary, seem to have no other standard
of grace but the run of the town. If fashion gives the word, every
distinction of beauty, complexion, of stature, ceases. Sweeping trains,
Prussian bonnets, and trollopees, as like each other as if cut from
the same piece, level all to one standard. The Mall, the gardens,
and playhouses, are filled with ladies in uniform; and their whole
appearance shows as little variety of taste as if their clothes were
bespoke by the colonel of a marching regiment, or fancied by the artist
who dresses the three battalions of guards.
But not only the ladies of every shape and complexion, but of every
age too, are possessed of this unaccountable passion for levelling
all distinction in dress. The lady of no quality travels first behind
the lady of some quality; and a woman of sixty is as gaudy as her
grand-daughter. A friend of mine, a good-natured old man, amused me
the other day with an account of his journey to the Mall. It seems,
in his walk thither, he, for some time, followed a lady, who, as he
thought, by her dress, was a girl of fifteen. It was airy, elegant, and
youthful. My old friend had called up all his poetry on this occasion,
and fancied twenty Cupids prepared for execution in every folding of
her white negligee. He had prepared his imagination for an angel’s
face;--but what was his mortification to find that the imaginary
goddess was no other than his cousin Hannah, some years older than
himself!
Public-domain text, read in full here on John Shaqi.
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